Chris Dudman is an award-winning filmmaker with credits in New Zealand and the UK. His short film Blackwater Summer was nominated for a Student Academy Award. Dudman has gone on to direct both documentary (New Zealand at War, The Day that Changed My Life, Zoo) and drama (Oscar Kightley police show Harry, short film Choice Night). Dudman also directs TV commercials, including the popular Pukeko ads for Genesis Energy.
A last-minute addition to their 1979 album Graffiti Crimes, 'Computer Games' was a huge hit for Mi-Sex, reaching number one in Australia, two in Canada and five in NZ. Computers and arcade games were a real novelty in 1979 and the band's synth-driven sounds were a perfect match. The video starts with the band breaking into the Sydney data centre for then-supercomputer giant ControlData. Printers spew paper forth, and as the band performs, old school graphics including a driving game and TIE fighters, are projected behind them. Advance one level on green!
The format for New Artland was to film a leading Kiwi artist devising an artwork, in collaboration with a community that they have some kind of bond with. In this episode host Chris Knox meets Karl Maughan, known for his vibrant paintings of garden flowers. Maughan returns to Palmerston North's Freyberg High School (where he was encouraged to enrol at Elam School of Art) and enlists 20 students over a week to make a 30 metre long mural. He explains why rhododendrons are his main subject, and gets permission from the principal to help the kids graffiti the art block.
Luke Sharpe’s video for the 2008 number one hit sets out to educate audiences about the Nesian style: replete with graffiti hibiscus, hawaiian shirts ... and hot teacher. The band is shot in front of a green screen, with totems uniting their central Auckland upbringing with their ancestral Polynesian past shown behind them. From baggy jeans to greenstone pendants, corned beef to fish’n’chips, the references nod to the South Pacific influences on the Mystik sound: “Just keep it fresh no matter where you be.” It won Best Hip Hop Video at the 2008 Juice TV Awards.
This episode of Chris Stapp and Matt Heath's bawdy, bogan, BSA baiting TV variety series spoof is a Bullying Special featuring 12 year old, gingered-headed Maurice (from the South Island) futilely attempting to make new friends in a typical Auckland school. Meanwhile, Constables Rob Bogan and Neville Pratt deal out an "art lesson they won't forget" to unsuspecting graffiti artists. Stuntman Randy Campbell's "dangerous, reckless and bloody stupid" attempt to jump off the back of the studio results in yet another "dark day for the NZ stunt industry".
Irrepressible duo MC OJ (Otis Frizzell) and the Rhythm Slave (Mark Williams) emerged as teenagers in the first wave of Kiwi hip hop. In the early 1990s they released album What Can We Say? and a series of singles for Murray Cammick's Southside label. After a brief spell in quartet Joint Force, the pair turned their attentions to televison to front the hip hop influenced Mo'Show. Frizzell (son of artist Dick Frizzell) is a prominent graffiti artist and tattooist to the stars, including Robbie Williams; Williams directed the award-winning music video for 'The Catch' by Fat Freddy's Drop, and often performs with the band live.
If a single word could sum up the free-wheeling flavour of alternative music and comedy in Aotearoa during the 1970s, that word would surely be ... Blerta. (The song would be ‘Dance All around the World’.) The 'Bruno Lawrence Electric Revelation and Travelling Apparition' encompassed foundation members of the NZ film and TV industry (Lawrence, Geoff Murphy, Alun Bollinger, Martyn Sanderson) and many other merry pranksters and hippy freaks. They toured the country in the early 70s in an iconic graffiti-covered bus, ending with a 1975 tour and 1976 TV series.
Three friends cruise inner-city Auckland in a 1946 Ford pickup, as they cope with the changing dynamic of their friendship and encroaching demands of the adult world. In the tradition of American Graffiti it captures the hope promised by a night on the town and a reality that struggles to meet expectations — punctuated by hoons, officious cops and dodgy tow truck operators. Queen Street is a fascinating look at Kiwi car and street culture in the pre-boyracer era, and a snapshot of a downtown that has changed markedly since 1981 when the film screened on TV.
This smoky, soul-inflected love song comes from hip hop diva Ladi6's second album The Liberation Of... (winner of the 2011 Taite Music Prize). Water might be the chosen metaphor for love here but director Faye McNeil provides no glimpses at all of the wet stuff. Instead, the deep blue oases are graphical — the work of street and graffiti artists The Cut Collective. The sands that Ladi6 treks across are dunes at Te Paki in the Far North (where it rained for all but five hours of the three day shoot). It was a Best Video finalist at the 2011 NZ Music Awards.
Award winning novelist Emily Perkins presents a series about “books and the people who love them”. The follow-up to her previous series The Book Show — and looking like it might be set in a graffitied bunker in Auckland’s Myers Park — it managed to be chatty without being frivolous, and to take itself seriously without being worthy. Regular features included a panel discussion about the book of the week, a visit to a book group, a guest talking about their favourite book and Finlay Macdonald highlighting a notable New Zealand book, in his ‘Under the Covers’ feature.