'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.
Introduced by a pilot called High Country, Jocko was an early 80s attempt by TVNZ to build a series around a travelling swagman character. Jocko (Bruce Allpress) is a maverick musterer and rural jack-of-all-trades in the tradition of the Australian swagman and the American cowboy. But the setting is a contemporary one: in the South Island high country where old and new methods of farming are coming into conflict. Two series were made, written by Julian Dickon (Pukemanu), and co-starring Desmond Kelly as Jocko’s off-sider and travelling companion, China.
In this episode of the early 80s TVNZ high country drama (penned by Pukemanu writer Julian Dickon and directed by Roger Donaldson), Jocko (Bruce Allpress) is reunited with two fellow Korean War veterans — but one is now an escaped convict and the other a police officer heading the manhunt. Stan, another escapee (a suitably manic Bruno Lawrence), stirs things up but the real drama here involves unfinished business for three former soldiers from a conflict 25 years earlier. It’s also very much a man’s world, without a single female character to be seen.
"For the farmers of the high country the snowline is their boundary". So begins the narration to this National Film Unit documentary. Beautifully shot by Brian Brake, the challenges of farming the vast stations on the rugged aprons of the Southern Alps are captured. The centrepiece is the great autumn muster where shepherds and dogs work 16,000 sheep down from "the tops" over 100,000 acres of peaks and glaciers, before the snow and winter blizzards arrive. "It's mutton every meal out here - we chase sheep every day and eat them every meal."
The Mackenzie Affair told the story of colonial folk hero James Mackenzie: accused of rustling 1000 sheep in the high country that would later bear his name. This fifth and final episode sees the manhunt for Mackenzie over, with ‘Jock’ facing a sentence of hard labour and provoking sympathy from equivocal sheriff Henry Tancred. Adapted from James McNeish’s book, the early co-production (with Scottish TV) imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft. It was made by Hunter’s Gold producer John McRae.
Toss is an 11-year old girl living on a remote hill country farm. While out with her father herding sheep, he falls and is killed. Ethan, a bearded stranger appears, carrying his body, and plants himself on the farm. Toss fears he’s Lucifer and is confused when he and her mother become lovers. It is through Ethan, however, that Toss comes to terms with her father’s death and the first stirrings of womanhood. Vincent Ward’s debut feature was the first NZ film selected for competition at Cannes; LA Times’ critic Kevin Thomas lauded it as “a work of awesome beauty”.
Like the eponymous native plant this children's puppetry programme stuck to the socks of many kiwis of a certain vintage. Produced in Dunedin by TVNZ's Natural History Unit (now independent production company NHNZ) Bidibidi followed the adventures of a sheep on a South Island station for two series. Bidibidi was adapted from the children's book by Gavin Bishop. Each programme interspersed puppet scenes and musical numbers with the expected first-rate NHU-shot footage of birds and other animals that Bidibidi meets en route, from kea to skinks and bitterns.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. Showing sheepdog trials from around the country, A Dog’s Show ran from 1977 to 1992. In each trial a farmer, armed with an array of whistles and commands, instructed a sheepdog to wrangle a flock of recalcitrant sheep along a course or into a pen while the bearded, sagacious, Swannie-clad John Gordon provided the commentary. Trivia: the opening tune is a version of the Statler Brothers song ‘Flowers on the Wall’, also used in movie Pulp Fiction.