This is the final episode of the pioneering Kiwi soap. TV One’s Hearte family saga achieved enormous popularity during its eight year run, and provided a training ground for a generation of screen talent. But by 1982 Close to Home’s characters were aging or departed, and the show faced competition from American youth-focused fare (eg Fame, The Six Million Dollar Man). With this 818th episode it was time for moving house, nostalgic re-caps, for The Seekers’ ‘Carnival is Over’ to score the opening credits, and for Tom (John Bach) to stub out his last ciggie and write the ending.
Coming Home chronicled Kiwi successes abroad, by profiling New Zealanders living and working overseas, then following them back to Aotearoa when they made a return visit. Each episode of the Touchdown Productions series was grouped roughly geographically, with two or three expat New Zealanders featured per episode. Among those reminiscing upon home and opportunity were businesswoman Mary Quin, motor racing legend Steve Millen, journalist Peter Arnett, model Kylie Bax, psychologist John Money, law lecturer Judith Mayhew and singer Patrick Power.
In Gaylene Preston's War Stories, her mother Tui revealed that she had fallen for another man while her husband was off at war. In Home by Christmas, inspired by an audio interview with her father Ed, Preston looks again at her parents' life during wartime. In this behind-the-scenes doco, veteran actor Tony Barry talks about the acting techniques which allowed him to "be, rather than play, Ed"; Preston reveals that Barry's distinctive voice is almost a carbon copy of her father's; and Chelsie Preston Crayford talks about portraying her own grandmother.
Ken Hieatt was a butcher on Auckland's North Shore when television came a knocking. The state broadcaster was looking to create fillers (short programmes to fill gaps in TV schedules), and a friend of a friend knew Hieatt. The butcher started his TV career on series Butcher's Hook, which then morphed into Home Butchery. The renamed series taught viewers how to cut up (or break down) a beef carcass. Series director Bryan Williams recalls that a key point of filler shows like these was to increase Kiwi content on screen.
Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
In this dark short film, an isolated rural idyll is spoiled when a farmhand (Craig Hall) gets ideas above his station. There will be blood in the barn as the interloper puts new meaning into dirty dairying, and upturns the lives of farmer Ken (Ross Harper), his wife (Sara Wiseman) and Ken’s simple sibling (Leighton Cardno). Director Andrew Bancroft’s earlier short Planet Man (an award-winner at Cannes) was set in a dark future; Home Kill takes the dystopia to the heartland with gothic horror glee, depicting farm life in a way that is unlikely to be endorsed by Fonterra.
In 2012 a number of state houses were relocated from Glen Innes in Auckland to Kaitaia, making way for property developers. A Place to Call Home follows two women at odds with each other, both railing for positive change. Betty Kanuta is an evicted tenant, leading protests against the destruction of her community. Fleur Palmer is purchasing some of the state houses to build a Māori housing development, to help poor families in Kaitaia. Director Briar March's documentary debuted on Māori Television in 2014 as Whare Tapa Whā, before being expanded into a feature-length cut.
In this series Chef Peta Mathias (Taste New Zealand) sets off on a culinary journey around the globe - without even having to leave New Zealand. In A Taste of Home Peta meets up with fellow foodies who have settled in Godzone from overseas, and asks them to share their favourite tastes of home. Viewers get to choose from Moroccan stuffed dates, Russian cabaret, bean-filled Brazilian feijoada and 'Pokarekare Ana', sung in Korean. The series devotes one episode each to food from France, India, Russia, Korea, Brazil, North Africa, and the Middle East.
This NFU film follows the maiden voyage of HMNZS Otago. Built at a Southampton shipyard, she was the first ship made for the Royal New Zealand Navy. The anti-submarine frigate is shown undergoing sea trials in 1960, before a haka on the Thames and a bon voyage from Princess Margaret send the Otago homewards. There are visits to ports in the Mediterranean, Suez, Singapore and Australia (where the crew enjoy shore leave) before arrival in Dunedin in January 1961. The Otago later supported protests against nuclear testing at Mururoa; she was decommissioned in 1983.
In this 2010 Tagata Pasifika story, reporter Adrian Stevanon follows efforts by a group of Pacific Island mariners to preserve the traditions and skills of the great Polynesian voyagers — as an armada of canoes from the Cook Islands, Tahiti, Fiji and Aotearoa takes to the seas of Te Moananui a Kiwa (the Pacific Ocean). Stevanon has zero sailing hours when he joins the Pan-Pacific crew of Hine Moana in the Cook Islands, en route to Samoa. Unsure “if this city boy can handle the high seas”, he takes time to find his sea legs, but eventually gets on the foi (tiller) and into ‘vaka mode’.