In this series chef Peta Mathias sets off on a culinary journey around the globe - without having to leave New Zealand. In A Taste of Home Peta meets up with fellow foodies who have settled in Godzone from overseas, and asks them to share their favourite tastes of home. In this excerpt, Brazilian émigré Jacqueline cooks Peta a bean-filled feijoada - a Brazilian favourite.
“How could I capture a New Zealand home in three minutes? Could I make a film without relying on standard documentary conventions of interview, cutaways and narration?” Inspired by the idea of making a more reflective, meditative piece for viewers watching on computers or phones, filmmaker Andrew Scott uses a single shot to move through a Kiwi summer home. There’s no one home but the minutiae of sound — from cicadas to the Mr Whippy tune — evoke the life of the place. Homing was made as part of Loading Docs, a series of short films designed for viewing online.
Mintaha Beca hasn't seen Lebanon in 25 years. At the age of 86, she sets off from her adopted home of New Zealand to visit her birthplace, following two decades of war. After flying into Beirut with her daughter and grandson, filmmaker Steve La Hood, she is able to laugh about demands to pay a film equipment tax at Beirut's airport. Having witnessed destruction and construction in the former 'Paris of the Middle East', the group set off for the nearby city of Zahlé, where Beca was born. There she is reminded that some things stay the same, and others are no longer hers to own.
Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
This documentary explores the stories of the people who live at Waiorua Bay on bird sanctuary Kāpiti Island. John Barrett talks about his Kāpiti tīpuna, from bloody iwi battles, whaling and farming, to his whānau's consciousness of their kaitiakitanga (guardianship) role. It looks at DIY island life (exercycle-powered water pumps) and its development as an unique eco-tourism destination where kākā parrots and kererū flock, and kiwi and dodo-like takahē wander freely. Says Amo Barrett: "we've got a treasure here that we should share with others".
In 2012 a number of state houses were relocated from Glen Innes in Auckland to Kaitaia, making way for property developers. A Place to Call Home follows two women at odds with each other, both railing for positive change. Betty Kanuta is an evicted tenant, leading protests against the destruction of her community. Fleur Palmer is purchasing some of the state houses to build a Māori housing development, to help poor families in Kaitaia. Director Briar March's documentary debuted on Māori Television in 2014 as Whare Tapa Whā, before being expanded into a feature-length cut.
Take Home Pay marks the third self-funded feature for writer/director SQS. Three Wise Cousins and Hibiscus and Ruthless both proved popular with audiences and critics. This 'action comedy' focusses on Samoan brothers Popo (Ronnie Taulafo) and Alama (Vito Vito) who ditch the taro fields of home for the promise of big money, picking kiwifruit in Aotearoa. When Popo steals their wages and goes AWOL, Alama calls on his relative, unorthodox private investigator Bob Titilo (ex Laughing Samoan Tofiga Fepulea'i) to help track his brother down. Magnum P.I. he ain't.
Pioneering soap opera Close To Home first screened in May 1975. For just over eight years, middle New Zealand found their mirror in the life and times of Wellington’s Hearte clan. At its peak in 1977, nearly one million viewers tuned in twice weekly to watch the series, which was co-created by Michael Noonan and Tony Isaac. They initially only agreed to make it on condition they got approval for The Governor. The popular family saga carved a regular niche for local drama on screen; the demands of creating a regular show helped develop the skills of Kiwi actors and crew.
In this 2010 Tagata Pasifika story, reporter Adrian Stevanon follows efforts by a group of Pacific Island mariners to preserve the traditions and skills of the great Polynesian voyagers — as an armada of canoes from the Cook Islands, Tahiti, Fiji and Aotearoa takes to the seas of Te Moananui a Kiwa (the Pacific Ocean). Stevanon has zero sailing hours when he joins the Pan-Pacific crew of Hine Moana in the Cook Islands, en route to Samoa. Unsure “if this city boy can handle the high seas”, he takes time to find his sea legs, but eventually gets on the foi (tiller) and into ‘vaka mode’.
Sons for the Return Home tells the story of a Romeo and Juliet romance between students Sione, a NZ-raised Samoan, and Sarah, a middle class palagi. Director Paul Maunder shifts between time and setting (London, Wellington, Samoa) in adapting Albert Wendt's landmark 1973 novel. Sons was the first feature film attentive to Samoan experience in NZ — alongside themes of identity, racism and social and sexual consciousness. In this excerpt Sione meets Sarah's parents, and his tin'a has him scrubbing their Newtown pavement prior to Sarah's reciprocal visit.