In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.
In this interview publicising 1996 comedy The Birdcage, Robin Williams turns his humour settings to a surprisingly low level. Quizzed on matters political by Holmes reporter Ewart Barnsley, Williams argues that politically correct people can display the “same kind of repressive tendencies” as others, and admits that the portrait of homosexual parents in the Mike Nichols-directed comedy could be offensive to both gays and straights. But, he adds, the majority of viewers "go and laugh their ass off and find some common ground and humanity in it”.
Peter Wells and Stewart Main’s acclaimed drama screened in primetime and was ground-breaking in featuring AIDS. Wells' script is based on the death of one of his friends — one of the first New Zealanders to die from the disease — but the living are the focus, as Wells creates an intimate “strange and foreign land” occupied by those close to someone who is dying. Andy’s friends confront both their own mortality and the deadly new disease stalking their community, while his conservative family grapples with never having come to terms with his sexuality. The excerpt features the opening 10 minutes.
In Boy, a college-aged rent boy exposes the truth about the death of a girl in a hit and run accident. Using typography that hovers on screen in place of dialogue, flares of bold colour, dioramic frames, and brutal portraiture reminiscent of Dianne Arbus, director Welby Ings creates a powerful, exquisite perspective on the silent claustrophobia and sexual violence of small town New Zealand. The film gained acclaim both at home and internationally. Accolades included Best Short Film at Cinequest in the United States.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.
"I do hope your pimples don't let you down on the big night." 14-year old Steve is caught between creatures he does not fully understand: two parents with very different ideas about the suit he should wear to his first school dance. Meanwhile everywhere he seems to look, images of men are taking control of his imagination. In Stewart Main's comical coming of age story Steve escapes his parents' good wishes, to discover his true desires. They aren't quite what his no-nonsense father had in mind.
Richard Turner made Squeeze to break the "conspiracy of silence" about homosexuality. A pioneering early portrait of Auckland's LGBT scene, Squeeze centres on the relationship between a young man (Paul Eady) and the confident executive (Robert Shannon) who romances him, then mentions he has a fiancée. The film was discussed in Parliament after Patricia Bartlett campaigned against the possibility it might get NZ Film Commission funding (it didn't). Kevin Thomas in The LA Times praised Squeeze's integrity and the "steadfast compassion with which it views its hero".
Although best-known for his work in Australia, producer David Hannay was New Zealand born and raised. Hannay, who passed away on the last day of March in 2014, was an enthusiastic producer and film lover whose 50 plus credits included Anglo-Kiwi mini-series Savage Play, movie Solo, and cult Aussie biker classic Stone.
During a broadcasting career spanning more than three decades, versatile producer/director Peter Morritt produced and directed a run of shows for state television, from current affairs to talk shows, including the first two seasons of Fair Go. London-born Morritt retired in 1996.
New Plymouth born Katie Wolfe has made the transition from actor to director. After leading roles in Marlin Bay, Cover Story, and Mercy Peak she stepped behind the camera in 2002, directing on Shortland Street. In 2008 she directed her first short film This Is Her, which screened at festivals around the globe. Wolfe's adaptation of Witi Ihimaera novel Nights in the Garden of Spain screened on TV in January 2011.