As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
The rich scenery around Lake Wakatipu has inspired painters, postage stamps and director Peter Jackson. Shortly before leaving NZ in 1954, photographer Brian Brake headed south for the NFU to capture images of lake, mountain, tourist and miner. Amid the postcard perfection, Brake films mist-shrouded hills sliced open by mining, and a trio of skiers on Coronet Peak, travelling hand in hand. Tourists swap lake steamers for open top buses, en route to the Routeburn track; and one old-timer sets out on horse to pan for gold, via the abandoned mining village of Macetown.
Godzone is “timber country” in this seventh slot in the New Zealand Now series. The NFU film looks at the world of the Kiwi bushman, as milling is providing the raw material for a postwar housing boom. The narrators provide a good keen guide to life in the remote and tiny (six houses) North Island town of Oraukura, where timber men fell giant native trees during the day and split kindling after work. For the men it’s a hard, but good life; for their wives it’s “pretty dull”. The Axemen’s Carnival in Taumarunui features OSH-unsanctioned woodchopping in socks.
This NFU film goes for a ride on the ferries of the Waitematā. Shots of mooring ropes and rusted chains precede a steamer chugging under the object that made many of its companions obsolete: the Auckland Harbour Bridge. By 1973 steam power had been superseded by petrol power. Archive footage and stills stoke nostalgia as old-timers reminisce about bygone days on the harbour; a time when ferries were the main mode of transport from downtown to the North Shore and beyond. The soundtrack is a compilation of early 20th Century dixieland standards.
Tuberculosis and the Māori People of the Wairoa District was screened for the first time in 1952. It is one of many health education films made, but was unique in that it was a collaborative production involving the New Zealand Department of Health, the Ngāti Kahungungu Tribal District Committee and the National Film Unit. At this time, the death rate for Māori from TB was 10 times that of Pākehā. Turi Carroll (knighted in 1962) a respected Ngāti Kahungunu leader, narrates much of the film.
This NFU tourism promo from 1986 showcases all that the north of the North Island has to offer. As holidaymakers Dave and Julia peruse the sights and sounds of Auckland, they provide a high speed guided tour of its nightlife and many attractions. After Julia exits unexpectedly for LA — possibly to moonlight on another tourist film — Dave is joined by Jacky. The two venture up to Ninety Mile Beach and, after exploring the native bush and enjoying a spot of fishing, end their stay with a bonfire by the sea, a stark contrast to the cosmopolitan delights of Auckland.
This edition of the long-running National Film Unit series documents the curriculum at Manutahi Native District School in Ruatōria in 1947. The roll of 300 primarily Māori students, travel to the rural school on bus, foot and horse to learn everything from the alphabet to preparing preserves. Set in the post-war baby boom period, the male students learn to build a cottage while the girls learn ‘home economics’ (cooking and running a household). The first principle of the schooling is “learning by doing” and for the rural kids “the whole land is a classroom.”
This edition of the NFU magazine series first travels to Waiouru to observe the NZ Army’s elite Special Air Service, in the year it was established. The soldiers undergo bush exercises, an obstacle course and a mock ambush, training for deployment to Malaya. Then it’s up to Auckland Zoo to meet husky litters destined for an Antarctic Adventure with Hillary and the Trans-Antarctic Expedition (the dogs are related to Captain Scott’s huskies). And finally, it’s further north to go shark fishing for “a day on the Kaipara” in a segment directed by Maurice Shadbolt.
New Zealand Mirror was an National Film Unit 'magazine-film' series geared towards the British market. Accompanied by nationalistic, upbeat narration, this first episode covers 'New Zealand Birds', and efforts to harness "Rotorua's Natural Heat". It visits a game park to see Kiwi ("definitely queer birds") where, in a Disney-esque scene, two children meet a one-legged Kiwi with a bamboo peg-leg; and boats over to Kāpiti Island to meet rockhopper penguin, tui, kaka and weka. In Rotorua, geothermal cooking, backyard geysers, and heated baths and pools are explored.