The concept of this short doco was to give its subjects the opportunity to tell their own stories straight to camera. Filmmakers Robyn Paterson and Paula Boock gave attendees of Auckland's annual Big Gay Out an invitation to go into a self-operated video booth, and answer the question ‘What does home mean to you?’. The candid results are snapshots of LGBT experiences and searches for identity and belonging. Queer Selfies featured on TV’s 20/20 and was made as part of Loading Docs, a series of three-minute long Kiwi films created for online distribution.
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
John A Givins (Johnny) is an actor, director and producer. His independent production company Livingstone Productions is best known for the long-running TV2 LGBT series Queer Nation, and the award-winning TV ONE documentary series Captain's Log.
Peter Wells was an accomplished writer/director who explored gay and historical themes in his work. Among his screen credits are groundbreaking TV dramas Jewel’s Darl and A Death in the Family. Wells also created stylish feature film Desperate Remedies with co-director Stewart Main. In later years he collaborated with filmmaker Annie Goldson for documentary Georgie Girl.
Takatāpui was the world's first indigenous gay, lesbian and transgender series. Produced by Front of the Box Productions and screening on Māori Television for six series, the show was magazine-styled with a Māori queer focus (it was replaced by the Wero series). It was light entertainment but not afraid to delve into some hard-hitting issues affecting the takatāpui communities all over New Zealand. Presenters included transgender singer Ramon Te Wake, Taurewa Biddle (with his distinctive moko) and Tania Simon.
For their fourth web series, creative collective The Candle Wasters shifted from using the plays of Shakespeare as inspiration, to an original story. Set in a children's indoor adventure playground, Happy Playland is a "queer rom-com musical" where employees cope with crushes, anxiety and life as digital natives. Neenah Dekkers-Reihana and Dani Yourukova (who both acted in Candle Wasters web series Bright Summer Night) play young lovers Billie and Zara. Billie is an agitated actress, while Cris is a social justice warrior. When the playground faces closure, the pair face upheaval.
Produced by Front of the Box Productions for Māori Television, Takatāpui was the world's first indigenous gay, lesbian and transgender series. Even though it was a magazine-style show, it wasn't afraid to delve into some of the tough issues affecting takatāpui communities in New Zealand. This first full-length episode looks at the early erosion of takatāpui by colonisation and includes a number of interviews with takatāpui, specifically Waikato University writer and lecturer, Ngahuia Te Awekotuku.
Produced by Front of the Box Productions for Māori Television, Takatāpui was the world's first indigenous gay, lesbian and transgender series. Despite being a magazine-style show, it wasn't afraid to delve into some of the tough issues affecting takatāpui communities in New Zealand. This second full-length episode includes interviews with members of the all women takatāpui waka ama team, and Adee Kiel, manager of hip-hop/R&B group Nesian Mystic.
One of Them! was one of two dramas (alongside Niki Caro movie Memory and Desire) inspired by short stories collected in Peter Wells' 1991 book Dangerous Desires. It was made for TV One as a Montana Sunday drama. Set in Auckland, 1965, One of Them! follows Lemmy and Jamie, two teenage boys coming to terms with their sexuality. In the dark days before gay liberation, bullying and intimidation was rife, and while the boys flaunt their sissyness, their internalised homophobia wreaks havoc on their emotional lives — until they can admit to being "one of them".
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.