Host of weekday kids' programme After School, Olly Ohlson, was the first Māori presenter to anchor his own children's show, and his catchphrase (with accompanying sign language) "Keep cool till after school" is remembered by a generation of Kiwi kids. The show also broke ground in its use of te reo Māori on screen. This episode sees a game of Maorimind (a te reo test based on Mastermind) and the building of a road-sign for the longest place name in New Zealand - a 85-letter te reo gobstopper that Olly rolls out with aplomb: Taumatawhakatangihangakoauauotamateatu... etc.
These clips collect together excerpts from kid's TV icon Thingee's appearances on After School. Thingee, alongside hosts Jason Gunn and Annie Roache, engages in much loopy fun factual madness: he gets into the Christmas spirit with carol singing, discusses his ambitions to be a jet pilot so he can time travel to meet his Mum (courtesy of trans-Atlantic time difference); plans to take over Video Dispatch (as Thingee Dispatch); talks like a pirate, eats worms, burps and wets himself. Check out Gunn's over-sized sunglasses and trademark loud 80s shirts.
Fascinated by other cultures since childhood, ethnomusicologist Paul Wolffram began making films during two years living in Papua New Guinea, studying music for his PhD. One of the films that emerged was feature documentary Stori Tumbuna: Ancestors' Tales, which was invited to 30+ festivals. Voices of the Land: Ngā Reo o te Whenua, inspired by Māori music expert Richard Nunns, premiered at the 2014 Wellington Film Festival.
Wi Kuki Kaa was a diverse, formidable presence on New Zealand stage and screen for almost 30 years. His iconic roles included Iwi in Barry Barclay-directed feature Ngati, Rewi Maniapoto in TV series The Governor, Wiremu in Geoff Murphy-directed Utu, the koroua in Trinity Roots' music video Little Things, a scarecrow maker in Worzel Gummidge Down Under, and many more.
Ian Fraser made his name in the late 70s as one of New Zealand’s most respected interviewers, facing off against everyone from Robert Muldoon to the Shah of Iran. In 2002, after time spent in public relations and as head of the New Zealand Symphony Orchestra, he returned to Television New Zealand — this time as its chief executive.
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
Robin Scholes is one of New Zealand’s most experienced and respected producers. Her credits range from feature films (Once Were Warriors, Mahana, Mr Pip) to iconic TV shows (Magic Kiwis) and documentaries (Colin McCahon: I Am). In 1997 she was made an OBE for services to the film and television industry.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
The founding member of Oscar-winning special effects house Weta Digital, George Port laboured for seven months solo on the digital effects for Peter Jackson’s Heavenly Creatures. He went on to found Auckland effects company PRPVFX, which has supplied special effects for Xena: Warrior Princess, Rain of the Children and Green Lantern.