Director Justin Pemberton takes this love song by Paul Casserly and Fiona McDonald (from fourth Strawpeople album Vicarious) and transforms it into an exercise in noir influenced, brooding unease. His video takes place over a night at a rural motel (with McDonald as a receptionist, and Casserly up to no good with a range of medical equipment). A tarot card-reading, yoga-practising new-ager, a traveller with unexplained cages, and random appearances from stringed instrument-playing senior citizens contribute to the growing sense of disquiet.
Shot near Anawhata Beach, west of Auckland, this clip from award-winning music video director Sam Peacocke (Manurewa, Shihad - Beautiful Machine) offers shades of classic Vincent Ward film Vigil, thanks to its images of moody rural landscapes, and kids watching bleak relationships go bad. Blindspott perform the track against foreboding macrocarpas which have a life of their own. The clip was judged Best Rock Video in the 2007 Vodafone Juice TV Awards.
Dance Exponents were the crown princes of NZ pop when they released this left field follow-up to their very successful debut album. ‘Sex and Agriculture’ introduced new guitarist Chris Sheehan and marked a major departure from hook-filled pop songs into harder, noisier territory. A rhythmic, driving soundtrack punctuated by Sheehan’s atmospheric guitar undercuts lyrics that could describe a rural idyll. Jordan Luck grows increasingly desperate in this shadowy, constricted TVNZ video which echoes the song’s dark claustrophobic sense of rural dread.
This episode of the Loose Enz series features small town intrigue in Hawkes Bay. Prickly, violin playing, ex-POW Austin (Derek Hardwick) refuses to retire despite handing over the farm to son Wesley (Goodbye Pork Pie director Geoff Murphy) — and the impending sale of the neighbouring property (to Japanese buyers) puts him on the warpath one boozy night at the local. Rural land politics and identities are nicely observed, the farmers’ band is delightfully chaotic (with Paul Holmes as a sax-playing fencer), and the Land Rover stuck in reverse is worthy of Fred Dagg.
In these excerpts from TV2's late night news show, Simon Dallow watches new American boy band All-4-One perform in an Auckland record store and interviews them about the trappings of fame. Meanwhile, Marcus Lush channels Country Calendar as he investigates a novel new agri-business venture: an emu and ostrich farm near Katikati (although it's unlikely his colleagues on TVNZ's venerable rural show ever gave their watches to animals to play with). Lush's verdict? The world's biggest living birds ("because we killed the moa") are "more fun than sheep".
Little known in its homeland, but an award-winner overseas, director Michael Heath's tragic portrait of mother and child confronts "intense emotion without flinching" (as Lawrence McDonald wrote). Largely bypassing dialogue in favour of a more elemental approach, the filmmakers combine sound and song (courtesy of composer David Downes and singer Mahinārangi Tocker) with lyrical imagery of the family revelling in their rural backblock (shot by Stephen Latty). There is added poignancy in the fact that Tocker — playing the mother who loses her boy — herself passed away in 2008.
In April 1984 Poi-E was atop the NZ music charts, with ‘Jo the breakdancer’ starring in the song's music video. So it's apt that this edition of the TVNZ youth show looks at “the craze currently sweeping New Zealand — breakdancing”. In her first presenting gig, future MTV host Phillipa Dann heads to Mangere to bop and head-spin. Elsewhere in this season opener, David Hindley reports on a School Certificate controversy, and why young drivers are dying on country roads. Co-presenting back in Viewfinder’s Dunedin studio is Uelese Petaia (star of movie Sons for the Return Home).
Charlie Horse is a personal film diary by actor Martyn Sanderson showing the breaking-in and training of a young colt in rural Hawke's Bay. It was made when Sanderson was a vital part of the gang of Blerta creatives who based themselves at Waimarama Beach in the 1970s. Some stunning ‘wild horses' imagery is captured (shot by Sanderson and cinematographer Alun Bollinger) and narration is intriguingly provided from audience comments recorded at a local screening of the footage. It features music by Blerta members Bruno Lawrence, Chris Seresin and Patrick Bleakley.
National treasures The Topp Twins (aka twins Lynda and Jools Topp) have performed as a country-music singing and yodelling comedy duo for more than 25 years. In the late 90s they created their own TV series which ran for three seasons and showcased their iconic cast of Kiwi characters, including Camp Mother, the Bowling Ladies and cross-dressing Ken and Ken. The series, travelling from a Highland Games to a Tauranga triathlon, won the twins - out-and-proud lesbians - several gongs at the NZ Film and TV Awards and screened on the ABC and Foxtel in Australia.
Veteran actor Kate Harcourt was named a Dame Companion of the NZ Order of Merit in 1996, for her contribution to theatre. Her long performing career also encompasses many roles on screen (Plain Tastes, The Dig, Apron Strings), often playing maternal figures. In her ninth decade she won Best Actress at Rhode Island International Film Festival as the plucky rest home rebel in short film Pacific Dreams.