Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.
Bagpipes, haggis, and the heartbreak of leaving home; Hoots Mon examines those who have migrated from Scotland to Aotearoa. In the 1840s a group of Scots settlers started a new life in Dunedin, after breaking off from the Church of Scotland. Ayrshire-born director John Bates talks to some of their descendants, and heads to the far north to interview others with Caledonian roots, in Waipu. Alongside some impressive Richard Long camerawork, the interviews include composer Steve McDonald, whose ancestral research has inspired several Celtic-themed albums.
“It’s not just a game. It’s a way of life”. This short film travels to the Central Otago town of Naseby: a rare bastion where the sport of curling is still practised on natural ice. But warmer winters may end the tradition. In their woollen 'tams' the southern ice men competing for NZ’s oldest sporting trophy provide a unique perspective on climate change. Made by Rachael Patching and Roland Kahurangi as part of Otago University’s science communication masters, the award-winning doco screened at Wildscreen and Banff film festivals.
What Now? is a long-running entertainment show for primary school-aged children. Live to air on weekend mornings since 1981, it is a Kiwi kids' TV institution. This Christmas Special sees presenters Simon Barnett, Jason 'The Ace' Gunn, and Cath McPherson larking it up with guests (Cath's Scottish Uncle Bob, Constable Keith and Sniff the Dog, The Wizard of Christchurch, the NZ 'Young Guns' cricket team) and in oddball summer and Christmas tales. Eddie and Fifi do decorative DIY. Check out the stone-wash denim and Barnett's frosted tips and lycra shorts.
Chic Littlewood’s afterschool show for children featured skits performed by Chic and his puppets to link cartoons and other overseas programming. Chic should be in control — but the real star here is the somewhat wayward Willie McNabb (from a Scottish family of mice courtesy of Auckland theatre doyenne Alma Woods). Chic and Willie are never quite on the same wavelength — and Chic’s Gramps character has even less chance of matching wits with him. Mother McNabb appears briefly — while the apparently ogre-like producer is an ominous but unseen presence.
Bookended by cameo appearances from the Queen and Robert Muldoon, this National Film Unit short offers a brief history of the various buildings that graced Wellington’s parliamentary lawns, before moving to the main event: the design and building of the Beehive. Plans are drawn up after acceptance of Scottish architect Sir Basil Spence’s “bold, circular design”. Then we watch as one of NZ’s most iconic structures is born from a gaping hole in the ground in 30 seconds of swift cuts. At the official launch, a still youthful looking Queen expresses her approval.
One of two much loved children’s shows written and presented by English born entertainer Chic Littlewood in the late 70s and early 80s. The other was Chic-a-boom — and more than 500 episodes were made of the two programmes in what now looks like a much gentler era of children’s television. Littlewood was aided and abetted by various puppets including Nowcy the Dog and the McNabb family of Scottish mice (including the mischievous and contrary Willie). Assisting with the puppets was actor, and stalwart of Auckland theatre, Alma Woods.
The work of Dunedin artist and surfer Simon Kaan explores his Māori (Ngāi Tahu), Pākehā (Scottish) and Chinese heritage. His studio in Port Chalmers is an old fruit shop his Chinese grandfather ran. In 2004 Simon won a three-month residency at Beijing’s Red Gate Gallery. Directed by Andrew Bancroft, this Artsville story follows Kaan on a tour of Beijing markets and galleries, as he prepares for a show opening. Kaan, who also narrates the piece, is able to visit family whenua: the village that his grandparents left behind for New Zealand.
Every year pipe bands from around the country gather to perform at the New Zealand Pipe Band Championships. This edition took place in Christchurch over three days in March 1985, with bands from around the country testing their abilities. Supreme champs Wellington showcase their musicality, the local Scottish Society display expert staff flourishing, and all the bands perform together in the massed finale. The special was directed and produced by Brent Hansen, who would go on to become the Creative President and Editor-in-Chief of MTV International.