Media satirist Jeremy Wells travels through Libya and coments on what he sees with his trademark impassive delivery. He dresses in traditional male garb, takes in Tripoli's ancient medina, dines in traditional Berber settlements, and journeys through the Jebel Nafusa highlands. On the way Wells rides an angry camel, complains about the lack of women, holds hands with a man, and recounts Colonel Gaddafi trivia, musing with deadpan gormlessness, "he must be nice because nobody seems to have a bad word to say about him."
This slickly art-directed music video makes a big nod to cult movie A Clockwork Orange, with the band delivering great performances in the Korova Milk Bar and en route to mayhem. Lead singer Jon Toogood bears an uncanny likeness to psychopath Alex (played by Malcolm McDowell in the 1971 film) in the Jolyon Watkins-directed clip. An interesting piece of trivia for the Kiwi Clockwork connections' file: an artwork from NZ artist Ted Bullmore appeared on the wall of Mr Alexander's home in the inspirational film.
This booster's gem was produced by the NFU to mark Canterbury's centennial. The original Canterbury crusaders' dream of a model England colony is shown in settler life re-enactments. The importance of meat and wheat to the region's prosperity is extolled and a progressive narrative — "in one brief century they've turned the wilderness into fertile farms and built their red-roofed homes" — underpins contemporary scenes (cricket, church) and much bucolic (plains, alps) scenery. Trivia: Peter Jackson used an excerpt from the film to open Heavenly Creatures.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.
Marcus Lush goes "right up the guts" of the North Island from Wairarapa to Gisborne, in this episode of his award-winning romance with New Zealand's railways. He meets railcar restorers and recounts the murders by rail porter Rowland Edwards in 1884. Particular praise is reserved for the "spectacular and beautiful" Napier to Gisborne line (now mothballed) with its viaducts at Mohaka and Kopuawhara. The latter is on the site of a flash flood that killed 21 workers in 1938; it inspires an idiosyncratic Lush demonstration of Aotearoa's then 10 worst disasters.
This educational video was made by the NFU for the National Mountain Safety Council to promote awareness of bush safety. After a blackboard science lesson (check out a bearded Ray Henwood) things get interesting. A fictional trip into the bush turns into a Stubbies-clad 70s Kiwi version of the Blair Witch Project as we're told that one of the group will not survive the night, picked off by that fearsome killer: exposure. The message is serious, but the doom-laden tone induced titters in school classrooms and scout halls throughout NZ.
Simon Price grew up in Dunedin. Named most innovative graduate at Melbourne's VCA Film School, he worked in Australia for many years as a writer/director, editor and video artist before returning home to help edit King Kong. Price's feature editing credits have since included Blackspot, landmark Samoan drama The Orator, Cambodian-set fable Ruin, Pā Boys, and docos Last Men Standing and Antarctica: A Year On Ice.
After working his way up through the ranks of TVNZ in the 80s, producer Gavin Wood travelled the world to work on reality game shows across 10 countries. Alongside work on the local versions of popular game shows such as Wheel of Fortune, he produced live coverage of the 2011 Rugby World Cup opening ceremony on the Auckland waterfront — which went live to 1.5 billion people worldwide.
Aaron Watson's career path has been anything but dull. He's acted in children's television programmes (eg InFocus and Oi), performed at the 1996 Edinburgh Festival Fringe with his friend Duncan Sarkies, and spent 14 years as a tour guide in Russia and Central Europe. Dunedin-raised, Watson turned to producing in 2011, working with friend Jackie van Beek on short films In Safe Hands (a 2012 NZ Film Award winner) and Go the Dogs (2012 Berlin Film Festival). In 2017 the pair released their first feature film The Inland Road. Watson has gone on to produce feature comedy This Town, from Wellington filmmaker David White.