A light-hearted short film from director Peter Salmon, starring veteran performer Mark Clare (Clare achieved fame as the bungy jumper in the classic 1992 Instant Kiwi ad and is the singer for legendary NZ band The Newmatics). Here Clare plays a real estate agent with a penchant for song and dance who discovers he can make music by jumping on the creaky floorboards of an old villa. But wait, there's a punch line to this quirky little comedy that Roald Dahl would be proud of: a sinister surprise lies in wait beneath the floorboards.
The Newmatics came out of a fertile post-punk early 80s Auckland music scene that also spawned Blam Blam Blam and the Screaming Meemees. Taking their cues from ska, r’n’b and soul, they were a fearsome live act — but managed to release only nine songs (including their enduring legacy ‘Riot Squad’ — synonymous now with the 1981 Springbok Tour). After their split in 1983, Mark Clare took up acting (he’s the bungy jumper in the classic Instant Kiwi ad), Kelly Rogers co-founded Rialto Cinemas and Ben Staples played with UK indie band The Woodentops.
Lee Tamahori worked his way up the filmmaking ranks, before debuting as a feature director with 1994's Once Were Warriors. The portrait of a violent marriage became the most successful film in Kiwi history, and won international acclaim. Between Warriors and 2016's Mahana, Tamahori has worked mainly overseas, where he has directed everything from The Sopranos to 007 blockbuster Die Another Day.
The distinctive voice of John Callen has graced dozens of documentaries and commercials. Onscreen, the Brit-born actor and director has played dwarves (in Peter Jackson's The Hobbit), PM David Lange (The Sinking of the Rainbow Warrior) and villainous DJs (Send a Gorilla). Callen has also worked as a director, helming The Tribe, Battle of Britain doco The Kiwi Who Saved Britain and many episodes of Shortland Street.
From The Governor to The Lord of the Rings, Martyn Sanderson's distinctive voice and sideburns were part of New Zealand's screen landscape for three decades. His work ranged from the experimental to the mainstream, including directing feature films (Flying Fox in a Freedom Tree) and personal documentaries.