Ada (Holly Hunter) has been mute since she was six. She travels from Scotland with her daughter (Anna Paquin) and her grand piano to colonial New Zealand, for an arranged marriage. When her husband, a stoic settler (Sam Neill) sells the piano to Baines (Harvey Keitel), Ada and Baines come to a secret agreement. She can win her piano back key by key by playing for him, as he acts out his desire for her. An especially big hit in Europe, Jane Campion's Oscar-winning tale of sexual emancipation in the bush is the only NZ film to have won the top award at the Cannes Film Festival.
Private Journeys / Public Signposts turns the camera on photographer Ans Westra. Dutch emigree Westra has captured iconic images of New Zealanders since the late 1950s, expressively observing Aotearoa societal changes, particularly Māori urban drift. This film explores her remarkable life and work, and includes commentary from family and friends, fellow photographers, and colleagues, as well as discussion of the Washday at the Pa controversy. Luit Bieringa, curator of Westra's retrospective photo exhibition, directed the film, his first.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
What Now? is a long-running entertainment show for primary school-aged children. Live to air on weekend mornings since 1981, it is a Kiwi kids' TV institution. This Christmas Special sees presenters Simon Barnett, Jason 'The Ace' Gunn, and Cath McPherson larking it up with guests (Cath's Scottish Uncle Bob, Constable Keith and Sniff the Dog, The Wizard of Christchurch, the NZ 'Young Guns' cricket team) and in oddball summer and Christmas tales. Eddie and Fifi do decorative DIY. Check out the stone-wash denim and Barnett's frosted tips and lycra shorts.
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.
As manager of the National Film Unit, David Henry Fowler oversaw the organisation's move from Miramar to Lower Hutt. In 35 years of filmmaking he worked in both government and private sectors: writing, directing, and producing memorable films ranging from commercials to features. After his career at the top was cut short by ill-health, he continued to pass on his knowledge and experience in advisory roles. Image credit: Archives New Zealand, ref AAQT 6421 B57
Sound designer Mike Hopkins worked on more than 20 feature films. Along the way he won wide respect for his craft and the humble dedication he applied to it. He won awards for his work on Kiwi classics Illustrious Energy, Crush and Heavenly Creatures, and Oscars for his sound editing on King Kong and the second Lord of the Rings movie. Hopkins died in a rafting accident on 30 December 2012.
Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.
Although better known as a songwriter and champion of New Zealand music, Arthur Baysting has also made a number of contributions to the screen. In the 1970s he was a scriptwriter on breakthrough dramas Winners & Losers and Sleeping Dogs, while his white-clad alter ego Neville Purvis graced cabaret stages and a short-lived TV series. Since then he has concentrated on writing songs and screenplays.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.