This documentary advocates for the protection of one of the last pristine ecosystems on earth: The Ross Sea. Veteran cameraman Peter Young vividly captures the frozen wilderness — freewheeling penguins, fish and sealions under the aquamarine ice — and interviews scientists concerned at threats posed by commercial fishing (including from New Zealand-owned boats). The film confronts unsuspecting New York diners with the origins of their fish, exposing upmarket ‘Chilean sea bass’ as Antarctic toothfish. Last Ocean won Best Film at the 2013 Reel Earth Film Festival.
“I’d no idea what I’d been missing!” This 1985 film pitches Aotearoa as a destination to our Aussie cobbers. Long haul air travel had led to a tourism boom, and promo campaigns were becoming increasingly sophisticated. This effort tries to overcome expectations of NZ as a place for oldies where “nothing is ever open”. A dinky-di Sydney family go on a tour of “Kiwiland” for a smorgasbord of sun, sea and snow. There’s crayfish and wine on the sand, and Barry Crump tells a less than 100% Pure tale at the pub. Australian John Sheerin (McLeod's Daughters) plays Dad.
This 76-minute documentary looks at efforts to restore the mauri (life spirit) of Northland's Lake Omapere, a large fresh water lake — and taonga to the Ngāpuhi people — made toxic by pollution. Simon Marler's film offers a timely challenge to New Zealand's 100% Pure branding, and an argument for kaitiakitanga (guardianship) that respects ecological and spiritual well-being. There is spectacular footage of the lake's endangered long-finned eel. Barry Barclay in Onfilm called the film "powerful, sobering". It screened at the 2008 National Geographic All Roads Film Festival.
This short film presents Dave, a tramper at a South Island high country tarn, with a chance to make his mark on the map. But will the stars (and satellites) align to realise his ingenious idea? Made by director and editor Rajneel Singh, Blank Spaces was one of five finalists in 'Your Big Break': a 2010 filmmaking contest run by Tourism New Zealand that gave the finalists a chance to have their script realised with the help of producer Barrie Osborne (The Matrix, The Lord of the Rings). The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
This award-winning short film explores Te Waikoropupū Springs. The springs fully live up to New Zealand’s 100% Pure brand, with some of the clearest water known (a 1993 study measured visibility to 63 metres). After visiting the springs' ‘dancing sands’, three divers take a down river run: going with the flow of the 14,000 litres per second discharged from the springs (here the classical score funks up the tempo). One of the divers was sound recordist Kit Rollings. The waters are now closed off, to preserve their purity. The NFU short played in cinemas with Return of the Pink Panther.
In this short James Rolleston (Boy) stars as a Kiwi lad who banters with an elderly bearded fulla (Bruce Allpress) who claims to be God; the 'BMX Kid' challenges him to a Lake Wakatipu bomb competition to prove it. Kiwi stuntman/director Tim McLachlan's film was a finalist in Your Big Break, a filmmaking contest run by Tourism New Zealand which attracted over 1000 scripts from around the globe. Five finalists were given the chance to turn their scripts into a short film. The brief was to "capture the spirit of 100% Pure New Zealand — the youngest country on earth".
Producer Pat Cox instigated Kiwiana classic Footrot Flats: The Dog's (Tail) Tale and has produced some of New Zealand’s most iconic commercials, including the long-running Speights 'onya mate', Mainland Cheese 'these things take time', and the 100% Pure NZ tourism campaigns.
Ella Yelich-O’Connor was born in Takapuna in 1996 and raised on Auckland’s North Shore. Showing a keen interest in performance as a child, she signed with Universal NZ while in her early teens and was paired with producer Joel Little. Her tale of suburban teenhood, 'Royals' (released in mid 2013) became a massive breakout hit, topping the Billboard Hot 100 in the United States. Debut album Pure Heroine showcased her distinctive vocal style and cemented her global superstardom. Sophomore album Melodrama, recorded in NYC, was released in 2017. It topped album charts worldwide, including the US Billboard 200.
Why is New Zealand's landscape and flora and fauna so unique? In four-part series Moa's Ark, renowned English naturalist David Bellamy, with his impassioned enthusiasm and trademark beard (of "old man's beard must go" fame) goes on a journey to discover the answer. Directed and produced by Peter Hayden, this 1990 TV series was produced by Television New Zealand's award-winning Natural History Unit (now independent production company NHNZ). Read more about the series here.