Armed with his trusty ray gun and protected by his pith helmet Lord Broadforce's exotic species search on an alien planet is going swimmingly — until the dame gets colonial angst. The short is based on the sci-fi world of Dr Grordbort created by Weta Workshop's Greg Broadmore (designer on District 9), in which Victorian steampunk meets alien trophy hunting. The live action-CGI film was created over 22 weeks by 11 students of the Media Design School's 3D animation programme, under the direction of James Cunningham. Broadmore followed with a Grordbort video game in 2018.
Beyond the Edge tells the story of Sir Edmund Hillary and Sherpa Tenzing Norgay’s first ascent of the world’s highest mountain. Award-winning director Leanne Pooley (Untouchable Girls) mixes archival material with recreations of the English-led 1953 Everest expedition. 3D cameras were used to put viewers in the crampons of the climbers, and evoke the endurance and dangers faced as they ventured to the top of the world. Beyond the Edge debuted at the 2013 Toronto Film Festival, where it was one of two runner-ups for the People’s Choice Documentary Award.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
Set on a New Zealand farm, this animated series for young Kiwis follows the escapades of Massey Ferguson the talking tractor, Gracie the farm bike, Rusty the old car, and others (Massey Fergusons are an icon of Kiwi farming). Created by broadcaster Jim Mora (Mucking In) and Brent Chambers from company Flux Animation, the series screened on TVNZ. Mora said the series aimed “to be true to farming life, while giving urban children an idea of the life that exists outside New Zealand’s cities.”
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
Kora’s formation in Wellington in 2002 saw them associated with the city’s burgeoning dub-roots scene, but the Whakatane brothers’ music mix also extends to elements of funk, soul, rock, house and metal. That genre-defying diversity is in evidence on this track from their debut album, as a relaxed reggae intro gives way to stomping electronica-tinged funk rock. This performance video shot in Auckland at AUT’s Vesbar captures the band in their live element, complete with a crowd-pleasing freeze that turns them into a 3D tableau, and strobe-lit climax.
This gleefully violent "zombie romcom" is another offering from Auckland's Media Design School, where 3D CGI students collaborate with their tutor, director James Cunningham, and industry veterans. Based on an idea from course grad Philip Magnussen, Rotting Hill sees two lovers — played by Anna Hutchison (Go Girls, The Cabin in the Woods) and Australian actor Jason Smith (Home and Away) — finding that "true love never dies" in a post-human future. The short has netted over one million views on Vimeo. Keep tissues handy: you may shed a tear ... or maybe an eyeball.
Artist Tanja Thompson, aka Misery, joins her Mum Rochelle to take a magical tour of Tanja's life — from childhood and time as a graffiti artist, to the rise of her art, fashion and toy empire. In the second excerpt, Misery leaves her boutique next to Illicit Clothing in K' Road, and visits the Taipei Toy Festival to unveil her 3D characters. She also shows us animated footage inspired by them. Mark Albiston made the documentary for arts slot Artsville, after featuring Misery on his own arts show The Living Room. It won Best Arts/Festival Documentary award at the 2006 Qantas TV awards.
Made at Auckland's Media Design School, these CGI short films combine the expertise of lecturer James Cunningham (director of award-winners Poppy and Infection) with the raw smarts and hard work of his 3D animation students. With established industry talents (e.g. writer Nick Ward and cameraman Simon Riera) helping guide the students, the results have won awards and selection to impressive international festivals, including SIGGRAPH. 2011's effort saw the screen debut of alien hunter Dr. Grordbort, originally created by Weta Workshop's Greg Broadmore.
Formed in Dunedin in 1988 and signed to Flying Nun; the 3D’s Nun lineage was distinguished: Dominic Stones (Bird Nest Roys, Snapper); Denise Roughan (Look Blue Go Purple); and David Mitchell (Chug). The wild guitar-playing of David Mitchell, coupled with the warped pop song-writing sensibilities of David Saunders led to The 3Ds making a big early 90s impact, being well-received live and on record. ‘Outer Space’ was the band’s big single with its unforgettable line - “I left my face, in outer space.”