Singer-songwriter Anika Moa admits she wanted to be a rugby player. "I played for Canterbury for years. But I chose music". The decision paid off: in 2000 she became the first New Zealander to sign to an international record label without a home release. Although her debut album Thinking Room produced hit singles (‘Youthful', 'Falling in Love Again'), Moa wanted to "stay true to herself and her musical path", and returned to her Kiwi roots in 2002. Since then she has recorded a series of popular albums, and also composed music for a run of documentaries.
"I like uncovering people and getting them to fess up to **** and to be more real with themselves." So said Anika Moa to TV Guide of her late night Māori TV talk show. In the first episode, the forthright Moa has two Real Housewives of Auckland on the couch. Moa trades laughs with champagne fan Anna Batley Burton, while Gilda Fitzpatrick shows actor Madeleine Sami the high life, and Sami shows her the thug life. There’s giant knitting needles and innuendo; hip hop artist Kings performs hit 'Don’t Worry Bout It', and The Spinoff’s Alex Casey previews Sensing Murder.
This episode of C4's music series Homegrown Profiles features singer/songwriter Anika Moa, who was signed to international label Atlantic Records and recording her debut album Thinking Room in New York when she was barely out of her teens. Moa talks about growing up in a musical household in Christchurch; being discovered through the annual Rockquest competition; her American experience and the decision that it wasn't a good fit for her; and her return to New Zealand and the happier experience of making her second album Stolen Hill.
After showing she could definitely generate a headline from an interview (when she quizzed Bachelor winner Art Green on matters sexual, in a 2015 NZ Herald web series) Anika Moa got her own chat show on Māori Television in 2016. The couch interview format saw Moa interview guests and review media in her trademark candid style, from actors Cliff Curtis and Lucy Lawless to politician Chloe Swarbrick. Eleven 30-minute episodes were made for series one; a second series began in 2017. The series won praise for its fresh (non white male) perspective.
From his folk rock exploits with Gramsci to his spartan solo acoustic work, Paul McLaney has a reputation for traversing musical horizons. The British born singer-songwriter started his Kiwi career in 1998 with The Prayer Room. He's gone on to release numerous works under various guises; including 2006's solo effort Edin for which he was nominated Best Male Vocalist at the NZ Music Awards. Anika Moa and SJD are amongst the "talented friends" McLaney has collaborated with.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
Kiwi women have long held their own when it comes to songwriting. From a 17-year-old Shona Laing performing her self-penned ‘1905‘ on Studio One’s New Faces, to Bic Runga becoming the youngest inductee into the NZ Music Hall of Fame; from the 80s girl power of Sharon O’Neill, to the chutzpah of Anika Moa and Gin Wigmore. They know a chorus from a coda — in this spotlight we reflect on songs and songstresses that have found their way into Kiwi hearts.
Frequent collaborators singer Anika Moa and director Justin Pemberton crossed paths again for the music video of this track, from Moa's 2008 album In Swings the Tide — her first, slightly countrified album for EMI. In a tastefully furnished room, Moa wakes in a bed of chocolate satin sheets, only to find the day is nearly done for her and the mysterious bedmate sleeping next to her. Moa exhorts her lover, “please don't be mean to me 'cos I really tried ...”, before stripping the duvet off the relationship to see what's underneath.
Set in a half-painted world of city, mountains and purple skies, director Ed Davis's video is a triumph of imagination and ingenuity over reality. The result is an extended aerial journey around an acrobat on a high wire — possibly reflecting some of the lyrics of this Paul McLaney and Anika Moa duet. Don't took out best video at the Kodak Music Clip Awards in 2003.
In this intimate video, set beneath bed covers and shot mostly in close up, director Darryl Ward captures the conscience-stricken essence of Moa's song. Ward's delicate work coupled with Moa's sincere performance, makes for an enchanting confessional.