Biscuits dance, food flies, dead chickens walk ... come closing time, the shelves of a dairy come to life. Four years in the making, this showcase of stop motion effects is based loosely on a classic poem by Goethe. The lively Indian-tinged soundtrack is inspired by the poem's most famous retelling: the Disney classic Fantasia, in the Sorcerer's Apprentice sequence where Mickey Mouse battles magical broomsticks. The music is handled by John Psathas, who later composed for the 2004 Olympic Games in Athens.
This 2016 Loading Doc introduces a heavily-tattoed Englishman living in Rarotonga. Croc Coulter is an unlikely master of the traditional art of tātatau (tattoo); the documentary follows Coulter as he teaches the art form to an apprentice, Moko Smith. Coulter also lives with cystic fibrosis. It was directed by Robert George, who has Cook Islands Māori and Māori heritage, and a background as both a painter and in post-production work for the screen. The mini documentary was shared internationally; it also featured on National Geographic's Short Film Showcase.
During World War I five members of the New Zealand Division were executed for military crimes — four for desertion and one for mutiny. Two of them, Victor Spencer and John Braithwaite, are profiled in this episode of Great War Stories. Spencer, an apprentice engineer from Bluff, was twice convicted of desertion, and put to death — despite an officer he'd known at Gallipoli vouching for his good character. Braithwaite was executed for mutiny, after trying to defuse a fight over the inhumane living conditions of military prisons. In 2000 the government pardoned all five executed men.
This 1981 Koha documentary, 'No Ordinary Bloke' — poet Hone Tuwhare — reflects on his life and influences in a wide-ranging interview by Selwyn Muru. He recites poems and is shown walking around his Dunedin haunts, where he was living at the time. Tuwhare recounts his early life as a railway workshop apprentice and tells of the workshop library that opened his eyes to the world. Later he’s shown with mate and artist Ralph Hotere and discusses, with emotion, the nature of Māori relationships with the land in light of the then-proposed Aramoana aluminium smelter.
Singer Marina Devcich had been working as an apprentice hairdresser when she won a Waikato talent quest. A signing to Viking Records and a name change to Maria Dallas followed. ‘Tumblin’ Down’ was written by Taranaki musician Jay Epae, and recorded at a session in Wellington. It went to 11 in the pop charts and won the 1966 Loxene Golden Disc Award. Later the song was used to score a series of Telecom ads in the mid-80s. Dallas recorded in Nashville, moved to Australia and had a trans-Tasman career — her single ‘Pinocchio’ topped the NZ charts in 1970.
Country singer Marina Devcich was working as an apprentice hairdresser when she was discovered at a Waikato talent contest in 1964. Viking Records’ chief Ron Dalton changed her name to Maria Dallas and in 1966 her single 'Tumblin’ Down' was a pop hit and won the Loxene Golden Disc Award. She recorded in Nashville and shifted to Australia where she released successful singles, ran a Brisbane club, and won Queensland Country Singer of the Year six times. In 1970 she topped the NZ charts with ‘Pinocchio’.
After concocting all manner of outlandish images on 8mm film, Bad Taste was Peter Jackson’s breakthrough; years in the making, it was the first feature to make it from his Pukerua Bay backyard to cinema screens, where it quickly began to rack up sales. An all-male cast of public service Alien Investigation and Detection Service operatives run amok with guns, food, vomit, rockets and misguided enthusiasm, to rid the earth of alien Lord Crumb and his fast-food gang — who want to turn earthlings into hamburgers. Jackson took two acting roles in this ‘splatstick’ sensation.
Kiwi hair and makeup artist Lesley Vanderwalt won an Oscar and a Bafta for her work on Mad Max: Fury Road. She also collaborated with director George Miller on Babe 2, Nicole Kidman mini-series Bangkok Hilton and the second Mad Max movie. The onetime Wellington hairdresser had makeup duties on early Kiwi classics The Governor, Skin Deep and Bad Blood, before a slew of Australian credits (Shine, Moulin Rouge!).
Glenis Giles has a wealth of experience as a producer and production manager. Her portfolio includes documentaries, film and television drama, children’s TV, commercials and music videos.
Globetrotting director Dean Cornish's credit reel ranges from Intrepid Journeys to bold buildings, Extreme Tribes to Rachel Hunter, sex trafficking to This Town. Trained at Christchurch's NZ Broadcasting School, Cornish has produced films in more than 90 countries and crafted a reputation as a go-to guy for travel stories. He shared a Best Director gong at the 2011 Aotearoa Film and TV Awards for Making Tracks.