Richard Nunns is a renowned expert in taonga pūoro — traditional Māori instruments like wood and bone flutes. This 2007 episode of the Māori Television arts show sits down with him as he narrates his collaboration with Brian Flintoff and the late Hirini Melbourne — “a magic coalition of separate skills” — and the journey they’ve undertaken to resurrect lost sounds. Inspired by museum objects, literature and song, the trio led the revival of the form in contemporary Aotearoa. Nunns says the pūoro would’ve functioned as “a cellphone to the divine” for tohunga (experts).
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
Bill McCarthy’s wide-ranging television career spans 50 years and counting. McCarthy won a keen following when he anchored coverage of the 1974 Commonwealth Games. After five years presenting Television One’s network news (alternating with Dougal Stevenson), he became a producer and director, and did time as TVNZ’s head of sports. McCarthy set up his own company in 1990, and continues to make shows for cable television.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
Max Cryer’s career as an entertainer has encompassed pioneering live talk shows (Town Cryer), singing on stage and screen, and extended time in the United States. After a busy decade of television presenting beginning in the late 60s, Cryer went behind the scenes to produce a clutch of quiz shows —before a late flowering as a prolific, bestselling author, exploring his love of words and Kiwi culture.
Caterina De Nave, who passed away on 17 August 2014, helped break the glass ceiling for women working in local television. As a network executive at both TVNZ and TV3, she often commissioned new writing and directing talent, and was a key player in the development of Shortland Street, Outrageous Fortune and Montana Sunday Theatre. In 2009 De Nave crossed the Tasman to join Australian broadcaster SBS.