This highlights package focuses on the last few minutes of the historic first-ever win by the New Zealand basketball team over Australia in the second test of the 1978 series. After losing by 22 points in the first test, the unfancied kiwis fought hard in the closing minutes as the lead see-sawed back and forth. With just seconds to go John Hill scored the winning points and closed out the game 67-65. The package ends with a replay of a controversial foul by leading New Zealand player Stan Hill that had earlier cast gloom over the kiwi fans.
Presented by Paul Holmes, this documentary follows the team of 13 Kiwi competitors at the Barcelona 1992 Paralympics. Swimmer Jenny Newstead won four gold medals and broke world records, but for this small team the focus was on personal bests as they headed into a more professional era. There's triumph and disappointment, mixed with the message that these were elite athletes competing strongly against the rest of the world. The lessons learned in Barcelona would lead to a much stronger showing four years later in Atlanta.
In director Grant Lahood's 2013 Tropfest NZ entry a young boy takes Kiwi ingenuity to the next level by creatively adapting his gumboots to net sporting victory. But it’s a risky move. Sprung marks a return for Lahood to his dialogue free short film beginnings (eg. Cannes award-winner The Singing Trophy, and his debut Snail’s Pace). Like those shorts, Sprung has a devilish sense of humour, and a crisply edited contest of wills. The ode to the courage of the young and the unpredictability of science was scored by veteran film and TV composers Plan 9.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
This Māori Television series merged old media and new: giving a group of young people iPhones and storytelling workshops, and empowering them to tell their own fun stories. In this fourth season episode, the slices of life include: swimming with whales off Tonga, a Te Tai Tokerau marae challenge, holidaying in Sydney and learning to surf in Bali, filming live rugby league at Mt Smart, basketball trials, farewelling a mate at the airport with a haka, and a stage-shaking kapa haka act. Press on the 'CC' symbol below the screen to find subtitles for (occasional) te reo.
Pioneering reality TV show Flatmates trained its cameras on the home life of a bunch of young Gen X/Gen Y Kiwis. In this second episode the flatmates clean up after a party gone wild — the landlord ain't happy — and discuss flat finances, chore rosters, gender politics, and Anzac Day. Christian mourns his first love, a Finnish exchange student. Meanwhile Vanessa's pronouncements on apt lecture-wear reveal why she became a minor celebrity (she later co-hosted youth show The Drum). And cameraman/flattie Craig finds the courage to reveal a complicating crush.
Described by co-creator Jamaine Ross as a sketch show "told from a brown perspective", this Māori Television series pokes the taiaha into life in Aotearoa. Hosted by improv trio Frickin Dangerous Bro – Ross (Māori), Pax Assadi (Persian) and James Roque (Filipino) – the show adds a multicultural 21st Century update to the skit traditions of Billy T James and Pete and Pio. This first episode mines comedy from white people, brown mums, hangi, sports reporting, subtitles, service station staff, and sat nav. NZ Herald’s Gracie Taylor called it "smart, funny, relevant and insanely relatable".
In this episode of their award-winning comedy series, Bill and Ben recount their life story, and manage to pack in Breakers basketball star CJ Bruton, a dead cheerleader, mascots in therapy, a cameo Tim Shadbolt, Back of the Y's Chris Stapp and Matt Heath as bogan bullies, a Flight of the Conchords homage and a host of other pop culture references (including Harry Potter, Forrest Gump and Wayne's World). Sporting Hell is "Fair Factor" with a sadistic take on fairground sideshows; and Bill and Ben also decide that crayfishing needn't involve getting wet.
In 2009 Māori Television rebooted the classic game show first hosted by Selwyn Toogood. In this episode from the fifth season, Stacey Daniels Morrison and Pio Terei take the popular roadshow to Masterton in the Wairarapa. Contestants answer locally themed questions (ranging from local iwi to Brian Lochore, Jemaine Clement and Ladyhawke), and earn the right to barter for the money or the bag. But as Morrison says, “remember that lurking in some of those bags are the boobies…”. Prizes include a basketball stands, a 50 inch TV and the MultiKai cooker.
This series was based on a fund raiser called “Art for Love or Money” run at Dunedin Art Gallery in the early 80s by two local identities: antique dealer Trevor Plumbly and expatriate American gallery owner and basketball commentator Marshall Seifert. Television used them as panellists and added ex-newsreader Dougal Stevenson as host, and a group of regular guests to examine objects brought in by members of the public. Unlike its BBC counterpart Antiques Roadshow, Antiques for Love or Money was a panel discussion, with the owners of the pieces never sighted.