Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
This People Like Us episode profiles Apirana Mahuika, before he became leader of Ngāti Porou. Having left lecturing at Massey University to return to his East Coast hometown of Tikitiki, Mahuika talks at his farm 'laboratory' about tamarillos, gangs, and coming home. He hopes his progressive farming (trialling kiwifruit and wine) will encourage young Ngāti Porou to remain and find jobs. A key figure in many Treaty of Waitangi claims and lead negotiator of Ngāti Porou's claim, Mahuika died in February 2015; Tau Henare said "his passing will cut a swathe through the forest".
The odd couple is a longtime comic staple. In the 1970s Yorkshire emigre Craig Harrison turned the tale of a Māori and a Yorkshireman into novel Ground Level, a radio play, and this ground-breaking TV series. Joe (Stephen Gledhill) is the nervy, university-educated librarian; his flatmate is Koro (Rawiri Paratene) who works in a fish and chip shop. Running for two series, the popular chalk’n’cheese sitcom was a rare comedy amongst a flowering of bicultural TV stories (The Governor, Epidemic). Harrison’s novel The Quiet Earth later inspired a classic film.
This docudrama follows an imaginary news reporter who travels back in time to cover the days leading up to the Treaty of Waitangi’s signing on 6 February 1840. Dropping the usual solemnity surrounding Aotearoa’s founding document, it uses humour and asides to camera to evoke the chaos and motives behind the treaty. Written by Gavin Strawhan, with input from novelist Witi Ihimaera, What Really Happened screened on TVNZ for Waitangi Day 2011. Its nominations at the Aotearoa TV Awards included Best Drama, director (Peter Burger) and actor Jarod Rawiri (who played Hōne Heke).
Director Alyx Duncan set out to make an experimental documentary about her childhood home. What eventually resulted was this acclaimed and award-winning "fictional essay", her first full length feature. Blurring the line between documentary and drama, she cast her conservationist father and Chinese born step-mother as characters partially based on themselves. As they journey from a small NZ island to a big Chinese city, Duncan examines their cross cultural relationship and explores nostalgia, childhood, dreams, environmentalism, globalisation and the meaning of home.
This documentary tells the 25-year history of Kohanga Reo via the influential figure of Iritana Tāwhiwhirangi (2014 New Zealander of the Year finalist). Kohanga Reo is a world-leading educational movement that revitalised Māori language, “by giving it back to the children”. Not eschewing controversy, director Tainui Stephens’ film journeys from a time when students were punished for speaking Māori to a present where they can have ‘total immersion’ schooling in te reo. The Qantas Award-nominated doco screened on Māori Television, and at indigenous festival ImagineNATIVE.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
The final episode of the first season of this colonial comedy tackles the Treaty, as settler Henry Vole argues that his land (purchased off a bloke he met at a bar in Tauranga) is fairly his. The pros and cons of a treaty are debated: “where all Māori may benefit from the administration that gave us the 18 hour working day for children”. Te Tutu counters with a Martin Luther King dream: “where the English are not marginalised in Aotearoa simply because they are a minority … where the English language won’t be lost because we’ll have Pākehā language nests …”
A culture clash story by Witi Ihimaera inspired this comic drama, which marked the directing debut of screen veteran Larry Parr. Set in the mist-shrouded Taranaki hamlet of Whangamomona in the 1940s, the short film focuses on the conflict between a local tohunga, Mr Hohepa (Sonny Waru) and feisty Pākehā Mrs Jones (Annie Whittle) — as viewed by the young boy who helps deliver her mail and groceries (Julian Arahanga, in his screen debut). The locals think Hohepa has placed a makutu (or curse) on Mrs Jones. But could more basic human emotions be at work?
This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.