Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
This 1949 episode of the National Film Unit’s Weekly Review newsreel series goes on a jaunty whistle-stop tour across the country. It takes off on TEAL’s new flying boat (Ararangi), from Wellington’s Evans Bay on a cruise over to the Marlborough Sounds and back. We then stop to smell the tulips on a South Canterbury tulip farm; before revving up for dusty motorhead bliss in Whanganui as a swarm of motorcyclists contest the Motorcycle Grand Prix. The reel pulls up in an Auckland factory for a fascinating look at the manufacture of glamourous nylon stockings.
In this series celebrating diversity in Kiwi neighbourhoods, former Highlanders prop Kees Meeuws introduces an eclectic mix of migrants who call North Dunedin home. Meeuws muses that the student-filled suburb "on a clear day, sparkles like the jewel in the crown of Dunedin". A Japanese student enriches his life by volunteering to help an elderly woman, a German jewellery designer explores identity in her creations, an Afghani family celebrate New Year's Day with a feast, and an eighth generation Indonesian puppet master shows off his snake-shaped dagger.
President Lyndon B Johnson's whirlwind visit to New Zealand on 19 October 1966 is chronicled in this National Film Unit documentary. The visit came as controversy grew over Kiwi involvement in the Vietnam War. But aside from a few protestors, the first visit to NZ by a serving US President and his wife was greeted with enthusiasm by about 200,000 Wellingtonians. State and civic receptions were followed by the obligatory farm visit to watch a shearing gang, before the President flew out at the end of 'New Zealand’s day with LBJ'.
This tale of body-snatching botanical aliens invading 70s Wellington shared the 1973 Feltex Award for Best Drama. Dominated by Davina Whitehouse’s performance as a retired teacher-turned ET foster parent, it included early TV roles for Paul Holmes, Grant Tilly and Susan Wilson. Vincent Ley’s script won a Ngaio Marsh teleplay contest, and its realisation stylishly traverses local summertime environs — Silence was one of the first NZBC dramas filmed in colour. Director David Stevens went on to success in Australia (writing Breaker Morant, and The Sum of Us).