'Bold as Brass', from the third Split Enz album Dizrythmia, finds the band moving on from the departure of founder member Phil Judd (replaced by a teenaged Neil Finn) and leaving behind their earlier, more complex art rock. This punchy, melodic Tim Finn/Rob Gillies composition is part off-kilter dance number, part call to arms. The video (directed by Gillies and Noel Crombie) matches the song's directness with sharp black suits and Tim Finn's combative approach to the camera — while allowing a nod to the band’s more theatrical past.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Bass meets brass in this 2014 collaboration between Australian house DJ and producer Timmy Trumpet, and Kiwi rapper Savage. Having previously tasted international chart success with his single 'Swing', Savage contributes vocals and lyrics to Trumpet's track. The result topped the charts in New Zealand — it won Highest Selling Single at the 2015 NZ Music Awards — made it to three in Australia, and won attention in Europe. The video is a sweaty record of the song being performed live at Adelaide’s HQ nightclub, with strobes flashing over the pumping throngs.
The war is Europe is over and New Zealanders take to the streets to celebrate in this NFU newsreel. The relief and excitement at the end of hostilities against Germany is clearly visible on the faces of the thousands who flood into New Zealand's towns and cities. But Deputy Prime Minister Walter Nash reminds the crowd the war is not over: Japan has yet to surrender. That doesn't stop wild celebrations following the National Declaration of Peace. Civilians and servicemen alike enjoy the party, many looking the worse for wear "in advanced stages of celebration".
This acclaimed TV series heads to Aotearoa’s heartland, dispensing with narration or a city slicker presenter so that local personalities can represent themselves. The opening episode travels to the West Coast to meet the 'Coasters' who live there: from publicans, prospectors and bushmen, to sheila truck drivers, knitting drag queens and musical theatre directors. The Dominion Post’s Karl du Fresne wrote of the show: "Producer Melanie Rakena has done a superb job seeking out engaging characters with interesting stories and allowing them to tell them in their own way."
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lyn of Tawa.
In this special Easter episode of TVNZ’s Sunday morning mainstay, original Praise Be host Graeme Thomson introduces hymns from some of the country’s oldest churches. Throughout the country church choirs deliver praise, while Thomson offers intermittent quotes from the bible to remind viewers of the true meaning of Easter. The special includes a hymn performed inside Christchurch’s iconic cathedral, before it was destroyed in the 2011 quakes. Praise Be first debuted in 1986, and has been on air ever since, apart from two years off the air in the mid 2000s.
This concert film captures When the Cat's Away during their first tour. Director Alan Thurston captures the high energy performance and pure joie de vivre of the five women vocalists, showing why the group became a Kiwi favourite. A set focusing on New Zealand songs, international hits of the period and soul classics proved irresistible on the pub circuit. The group would go on to score hit records and bigger shows (playing to 80,000 the following summer). But this was the moment they arrived. The film won best documentary at the 1988 Film and Television Awards.
This ANZAC musical collaboration saw Sydney-born house DJ and brass player Timmy Trumpet team up with South Auckland-raised rapper Savage. Trumpet (real name Timothy Jude Smith) scored an international reputation as a house DJ, after playing brass solos over dance tracks during sets on the Spanish party island of Ibiza. After leaving Deceptikonz, Kiwi hip hop star Savage tasted international chart success with his 2005 solo single ‘Swing’. ‘Freaks' topped the charts in Aotearoa, made it to number three in Australia, and won notice in Europe. It won Highest Selling Single at the 2015 NZ Music Awards.