Like many of his generation in the United Kingdom, Ray Green was called up for National Service. But it wasn’t until he and his mates were almost on the troopship heading to Korea in 1951, that they realised they were going to fight. Green’s Welsh regiment spent a full year in the combat zone. Danger was ever-present as they patrolled on pitch black nights with the enemy just two thousand metres away, or over the next hill. As he recounts in this interview, Green escaped death or injury on several occasions. He relives it every night, but says it was an adventure he wouldn’t have missed.
This Māori Television documentary pays tribute to the nearly 20,000 Kiwis who fought against the Japanese in the Pacific during WWll. Using interviews with soldiers, locals and historians, director Iulia Leilua tells stories of bravery and brutality in New Caledonia, the Solomon Islands, Tonga, Fiji and Papua New Guinea. Seaman Jack Harold recalls helping sink a Japanese submarine at Guadalcanal, while former Papua New Guinea Governor-General Sir Paulias Matane shares childhood memories of living in fear. New Zealanders fought in the Pacific for two years.
Award winning novelist Emily Perkins presents a series about “books and the people who love them”. The follow-up to her previous series The Book Show — and looking like it might be set in a graffitied bunker in Auckland’s Myers Park — it managed to be chatty without being frivolous, and to take itself seriously without being worthy. Regular features included a panel discussion about the book of the week, a visit to a book group, a guest talking about their favourite book and Finlay Macdonald highlighting a notable New Zealand book, in his ‘Under the Covers’ feature.
Five years after the Treaty of Waitangi's signing, tension between British and Māori was at boiling point. In the middle of nowhere in Northland, chief Te Ruki Kawiti devised a plan to fight back. His masterpiece was Ruapekapeka, a state of the art pā with underground tunnels, deep trenches and artillery bunkers. Journalist Mihingarangi Forbes visits the site to investigate how Māori — outnumbered four to one — survived a 10 day British bombardment. Produced by Great Southern Television and Radio NZ, NZ Wars won awards for Best Documentary, Māori Programme and Presenter.
This promo, directed by Simon Ward, showcases a single from Wellington’s Disasteradio. The bespectacled "D-rad" broadcasts a soup of synth-pop from the safety of his bedroom bunker via walkie talkie to his bandit girl, stranded outside in a post apocalyptic landscape. She fends off zombie marauders after her dog; he eats - and gets infected by - a pizza ... and talks to his hand. And his hand talks back.
June 1944. On a sabotage mission shortly before D-Day, a Kiwi Commando (Outrageous Fortune’s Craig Hall) sneaks into a German bunker on the Channel Islands. Inside he finds an SS officer who is an expert in the occult (Out of the Blue’s Matt Sunderland), much blood, and a mysterious lone woman who may not be what she seems. Shot in Wellington, the feature debut of effects man Paul Campion ratchets up the tension in the claustrophobic setting. The makeup effects — horned demons, bullet wounds and gore — are led by Weta veteran Sean Foote.
The first part of this controversial, no-holds-barred portrait of Robert Muldoon — the dominant figure of 20th century NZ politics — traces his rise to power. In one of the show’s most contentious themes, Neil Roberts and Louise Callan explore the effect that the death of Muldoon's father from syphilis may have had on his political career. Interviews with colleagues and family members cover his childhood, war service, early years as a husband and father, his immersion in the National Party and the relentless, divisive style that saw him become Prime Minister in 1975.
This 1975 general election leaders' debate sees Prime Minister Bill Rowling (Labour) square off against contender Robert Muldoon (National) in front of a panel (Bruce Slane, Gordon Dryden, David Beatson). Rowling had been in the job a year, after the death of Norm Kirk, and Muldoon paints him as a drifter in the face of the first oil shock. It was one of three pre-election specials made for NZ TV’s new second channel. This is filmed in black and white, but during this campaign National exploited newly-arrived colour TV via the infamous ‘Dancing Cossacks’ ads.
Rachel Smalley's journalism career has seen her reporting from Paris, Washington and Dublin, and hiding out in Afghanistan bunkers during a Taliban mortar attack. Smalley spent four years reporting for Sky News UK, and established TV3's London bureau. Back in New Zealand, the former Nightline host co-anchored TV3's morning news, plus interview show The Nation, before moving to TVNZ's Q+A in 2014. Smalley then concentrated on her award-winning radio show Early Edition on Newstalk ZB. In 2018 she moved into a public relations role for the government's KiwiBuild housing programme.
Richard Turner’s work as a director began with poetry-based works, pioneering Māori works for television, and Squeeze (1980), New Zealand’s first gay-themed feature. Since then he has made films largely in Australia.