Aileen O'Sullivan's and Toby Mills' documentary follows Black Grace as they prepare for an appearance at premier dance festival Jacob's Pillow, in Massachusetts. The film also charts the personal journey of the dance group's founder, choreographer Neil Ieremia, from the community halls of Porirua to the global stage, powered by an unrelenting perfectionism that makes for some heated rehearsal footage. Shortly after the performances shown here, Ieremia fired the entire touring company, rebuilding his vision from scratch. Ken Sparks' editing won an NZ Screen Award.
This early episode from the award-winning arts series drops in on the Urale sisters — directors Sima and Makerita and publicist Maila — in the living room of their Lyall Bay fale. The prolific Samoan-Kiwi siblings visit local haunts, discuss work, and brother Bill (aka King Kapisi) is mentioned in dispatches. Other Kiwi creatives featured include 'nu jazz' practitioner Mark de Clive-Lowe playing at Cargo in London; designer Ross Stevens building his challenging Happy Valley shipping container conversion; and Cannons Creek beatbox king Dougie B breaking it down.
This documentary looks at the life and work of acclaimed author Patricia Grace. Filmed at home, on marae and in classrooms, Grace discusses her writing process, her Hongoeka Bay upbringing, her children’s books, criticism of her work, and her Māori identity and belonging to the land (a theme of her then-recently successful novel Potiki). In particular she affirms the importance of writing from experience. The film features interviews with publishers and friends, and excerpts from Grace's stories are read and dramatised, including At the River, The Hills and Mutuwhenua.
From those who joined up in World War ll to the relative youngsters who saw action in Vietnam, this selection of clips is collected from the fourth series of interviews with ex-servicemen sharing their memories of service. The stories of these men and women range from the comical to the horrific. Age has taken its toll on their bodies but the memories remain sharp. Made by director David Blyth (Our Oldest Soldier) and Hibiscus Coast Community RSA Museum curator Patricia Stroud, the interviews are a valuable record of WWll and conflict in South East Asia.
Ron Cross is a military man through and through. A proud soldier, he feels lucky to have had the experiences that shaped his life. Joining up as a regular Army Cadet, Ron served in both the Malayan conflict and the Vietnam War. From the comedy of preparing for jungle warfare in snow-covered hills around Tekapo, to the tension of being fired on at close range on the roads of Vietnam, Ron’s vivid recollections are captivating. His one regret: that the lesson of how not to have wars has yet to be learned.
In this short film, 14-year-old Jimmy (Waka Rowlands) faces a tough decision: stay in his abusive home to protect his younger siblings, or escape to start a new life of his own. Written and directed by Sam Kelly, Lambs was inspired by true stories. It competed at the 2012 Clermont-Ferrand and Berlin Film Festivals, and won the Jury Prize and Audience Award at the 2012 NZ Film Festival; judge Roger Donaldson raved: “It reminded me of Once Were Warriors in the best possible way.” Lambs was one of the first products of the NZ Film Commission’s ‘Fresh Shorts’ funding scheme.
Aileen O’Sullivan has a significant screen pedigree, from acting to directing, producing and – most importantly – storytelling. Her work ranges from Gloss and The Billy T James Show to Holiday and The Great New Zealand Showdown specials. Under her production company Seannachie Productions, O'Sullivan's has helmed a number of well received documentaries including Witi Ihimaera, Black Grace – From Cannon’s Creek to Jacob’s Pillow, Life’s a Riot and Ngaio Marsh – Crime Queen.
Andrew Clay forged his stand-up comedy career in Australia, before returning battle-hardened to New Zealand. The brutality of that environment is among the things he discusses in this Funny As interview. Clay also talks about: Being the dude at the back of the class, trying to make people laugh The lightbulb moment when Australian comedian George Smilovici told him he should be a stand-up comedian Feeling pride when his conservative dad said “you’d be good at that” The “walking off to the sound of your own footsteps” moments of stand-up comedy, and the immediacy of knowing "straight away whether you're doing well” Writing two stage plays, “to try to be funny in a different way”
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.