This booster's gem was produced by the NFU to mark Canterbury's centennial. The original Canterbury crusaders' dream of a model England colony is shown in settler life re-enactments. The importance of meat and wheat to the region's prosperity is extolled and a progressive narrative — "in one brief century they've turned the wilderness into fertile farms and built their red-roofed homes" — underpins contemporary scenes (cricket, church) and much bucolic (plains, alps) scenery. Trivia: Peter Jackson used an excerpt from the film to open Heavenly Creatures.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
This National Film Unit film visits Christchurch roughly four years before the main event, to promote the city’s readiness to host the Commonwealth Games. A comical potted history of New Zealand precedes a montage of young women cycling around Canterbury environs and a split screen catalogue of NZ tourist attractions, before getting into a survey of the venues. As the opening demonstrates, “there’s always a traditional welcome awaiting our friends!” In 1973 the NFU completed a second film called Christchurch 74, before covering the games themselves in the feature-length Games 74.
This 1983 episode of arts series Kaleidoscope profiles the life of Rita Angus, whose paintings won critical acclaim both in New Zealand and abroad. After growing up in Hastings and Palmerston North, Angus moved down to Christchurch, initially to study at Canterbury College School of Art. Later she spent more than a decade in the Wellington suburb of Thorndon. Featuring interviews with those who knew her at various stages of her life, and numerous examples of her work, this half-hour documentary provides a thorough overview of who Rita Angus was.
This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.
The youngest of eight children from a prominent Canterbury family, brothers Robin and Gordon Harper signed up eagerly to enlist in World War l. The Harpers fought in Turkey and Egypt as machine gunners with the Canterbury Mounted Rifles, earning medals for their bravery at Hill 60 in Gallipoli. Using their farming skills, the brothers found each other on the battlefield with their distinctive dog whistles. Susan Harper, a relative of the pair, displays a Turkish machine gun one of the brothers brought home. The other sibling was killed in battle in Egypt.
Shot in modern-day North Canterbury, Netherwood is the kind of back country thriller in which few of the locals can be trusted. Black-hatted drifter Stanley Harris (one time Shortland Street surgeon Owen Black) arrives in a small South Island town, and finds himself facing off against the local bully (Will Hall), the local beauty (Miriama Smith) and the local land baron (Peter McCauley). The behind the scenes documentary follows Hall and Black on a 20-stop 'Rural Roadshow', as they tour the finished low budget feature around the country.
The highlight of this instalment of the NFU’s weekly newsreels is a report on a motorcycle grand prix, held at Cust in Canterbury, where speeds in excess of 100mph were reached in the 152 mile race — with 1,000 gallons of sump oil sprayed on roads to prepare the racing surface. From the Wellington waterfront, there is coverage of the arrival of a delegation of Australian ex-servicemen to meet their NZ counterparts; and an emotional United Nations appeal asks viewers to donate one day’s pay, profits, work or produce to help the world’s needy children.
This 1950 edition of the Weekly Review series welcomes the touring British Lions rugby team in Wellington, where speeches are given on the wharf. It was the first post-war tour by the Lions (notable for the debut of their iconic red jerseys — not able to be discerned in this black and white reel!). Then it’s down to Canterbury Museum to explore displays of moa bones, cave paintings and the relics of the moa hunters. Finally it’s up to the farthest north to visit Te Rerenga Wairua, for a look at life keeping the ‘lonely lighthouse’ at Cape Reinga Station.
This 1967 NFU instructional film demonstrates breathing exercises developed by Bernice ‘Bunny’ Thompson, to help children suffering from asthma and bronchitis. The film was based on the pioneering physiotherapist's 1963 book of the same name. Director Frank Chilton won renown for his documentaries dealing with the health and welfare needs of children. Asthma and Your Child was commissioned by the Canterbury Medical Research Foundation, and was an early example of a privately-funded socially-useful film. The animation of respiratory processes is by Morrow Productions.