This was one of two short promos that screened in cinemas to celebrate 100 years of New Zealand film. A stop motion plasticine figure morphs from one classic Kiwi film moment to another. Director Greg Page starts with National Film Unit newsreels, before jumping to the renaissance of Kiwi film that began in the late 1970s. Included are Goodbye Pork Pie, An Angel at My Table and Braindead. The promos (John O'Shea directed the other) were funded by the NZ Film Commission with support from Kodak, the Film Unit and the Film Archive (now Ngā Taonga Sound & Vision).
In May 1871 Auckland became a city. One hundred years later reporter Hamish Keith looks back to see how Auckland developed and ahead to where it is going. In 1971 600,000 people lived in the greater Auckland area and it was rapidly expanding. Keith notes volcanoes, tribal war, pioneers, "booze and butter" booms, problematic bridges, PI influence, cars and suburbia; and muses on Auckland’s “marching to its own drum” spirit. Anticipating Super City angst, then-Auckland mayor Sir Dove-Myer Robinson frets that sprawling unruly Auckland is a city in search of a soul.
The Central Otago gold mining town of Cromwell celebrates its centenary in this NFU documentary. For a fortnight the townsfolk go about their ordinary business, but in colonial-era costume. They also re-enact the frontier-style life of gold rush New Zealand. Just 20 years before the film was shot, Cromwell banks were still receiving deposits of gold dust from customers. But the Cromwell of 1966 is also just a memory. While the old main street still exists, much of the town was flooded with the completion of the Clyde dam in 1993.
This miniseries is built around the fortunes of the fictional Smith family during World War l. Directed by Peter Burger (Until Proven Innocent), the first episode is framed around a letter home by nurse Bea Smith (played by Westside's Esther Stephens). This 10 minute opening excerpt jumps from a war hospital in Egypt, back to trysts on the home front: an illicit romance at medical school, high times on Auckland's Grey Street, and a mysterious arrival at the family store. Funded by NZ On Air’s Platinum Fund, When We Go to War debuted on Anzac weekend in 2015.
This final edition of the 1992 celebration of New Zealand Rugby runs from grand slam success to the cusp of the professional era. But in-between, rugby and politics combusted. When the Springboks, representing apartheid South Africa, toured NZ in 1981, barbed wire, flour bombs and riot police were match fixtures. Kiwis were either for or against. The tour’s aftermath and public disillusionment with the sport found relief in 1987, when the All Blacks won the first Rugby World Cup; three undefeated years followed. Three NZRFU centennial tests close the series.
Musician, artist, writer and director Greg Page began his film career in Hamilton in the early 90s, making music videos for local bands. Since then the international award-winning filmmaker has written and directed several short films, including claymations Decaff and The New Zealand Centenary of Cinema, as well as Sarah's Washing, and his feature film The Locals. Page’s boundless energy has also given rise to some of NZ’s most memorable music videos for top recording artists like Scribe, The D4 and Elemeno P.
Never broadcast on local TV, Men of the Silver Fern was made for the NZRFU (now known as New Zealand Rugby) for its 1992 centenary. Four hour-long programmes provided a chronological celebration of all things All Black, told via archive footage and over 40 interviews with players, officials and historians (reenactments illustrate the early era). Originally planned as a single programme, it was decided to release the four episodes as a ‘collector’s edition’ VHS box-set. Peter Coates directed, and produced with Keith Quinn and rugby administrators Ces Blazey and Ivan Vodanovich.
This episode of director Geoff Steven's USA road trip is another study in contrasts. In North Dakota, there’s impressive access to an underground missile control room staffed by highly trained officers who hope they never have to do the job for which they've prepared. Nearby, the members of a determinedly pacifist, Christian, socialist Hutterite community make for unlikely neighbours. There's also an exploration of small town values as Gilby celebrates its centenary on the 4th of July — while a John Birch Society member provides a less festive note.
Peter Hayden travels through some of New Zealand's most awe-inspiring environments in this five part series, made to celebrate the centenary of our first national park. This episode looks at the national park closest to our largest city and contemplates that relationship, featuring stories of life on the islands of the Hauraki Gulf. A highlight is the transfer of the rare saddleback or tieke (a lively wattlebird) from Cuvier Island to the ecological time-capsule of Little Barrier Island — "with Auckland's lights twinkling in the background". Catherine Bisley writes about the Journeys series here.
This miniseries was made for the centenary of New Zealand’s involvement in the Gallipoli campaign. Created by Gavin Strawhan and Briar Grace-Smith, the six one hour episodes explored the impact of World War l on characters connected to a Pākehā family. Each episode was framed around a letter written home. The characters include a nurse and doctor caring for wounded in Egypt, a lawyer turned officer in Gallipoli and his wayward brother, and a Māori preacher turned soldier and his sister. Directed for TVNZ by Peter Burger, the series was produced by Robin Scholes.