Collection

The Don McGlashan Collection

Curated by NZ On Screen team

Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small. 

Collection

The Peter Jackson Collection

Curated by NZ On Screen team

Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard. 

Collection

The Horse Collection

Curated by NZ On Screen team

This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.

Don't Dream It's Over

Crowded House, Music Video, 1986

Neil Finn has described the lyric to this song as "on the one hand, feeling kind of lost and, on the other hand, sort of urging myself on". The wistful single was Crowded House's breakthrough, hitting number two in the US (and the top spot in Aotearoa, after local radio earlier showed little interest). Australian director Alex Proyas (The Crow) based his video on locations from the band members' childhoods. As Finn walks from room to room, the video also neatly reinforces the band's name. 'Don't Dream It’s Over' remains one of the biggest international hits penned by a Kiwi.

Point Your Toes, Cushla!

Short Film, 1998 (Full Length)

Point Your Toes, Cushla! captures a girl's eye view of the final minutes before she goes on stage in a ballet contest — where one wrong move could be a short cut to humiliation. In this case the danger is heightened thanks to a stage mother whose idea of encouragement is constant meddling (played in scene-stealing brilliance by Alison Wall). Low on dialogue but rich in detail, this film by Simon Marler was invited to a number of overseas festivals, where it won a jury diploma in St Petersburg. It also got general release in Kiwi cinemas. 

50 Ways of Saying Fabulous

Film, 2005 (Trailer and Excerpts)

Set in Central Otago in the drought-parched summer of 1975, gay-themed feature film 50 Ways of Saying Fabulous follows a chubby 12-year-old named Billy (Andrew Paterson) as he embarks on a challenging journey of sexual discovery. Adapting Graeme Aitken's novel, writer/director Stewart Main (Desperate Remedies) depicts a boy escaping into fantasy from the drudgery of farming duties — and learning about himself, his sexuality, and dealing with change. 50 Ways won a Special Jury Award at Italy's Turin International Gay and Lesbian Film Festival in 2005.

The Murder House

Short Film, 1998 (Full Length)

"I hope you're braver than your brother." A young schoolboy (James Ordish) finds his day plunging into nightmare, when he gets called in for a session with the school dental nurse. The nurse (a sly performance by future casting director Tina Cleary) seems to take pleasure in other people's pain. Directed by cinematographer Warrick ‘Waka' Attewell (Starlight Hotel), this short film for the dental wary was written by Ken Hammon, who was part of the team behind Peter Jackson's debut feature, splatter flick Bad Taste

A Small Life

Film, 2000 (Full Length)

Little known in its homeland, but an award-winner overseas, director Michael Heath's tragic portrait of mother and child confronts "intense emotion without flinching" (as Lawrence McDonald wrote). Largely bypassing dialogue in favour of a more elemental approach, the filmmakers combine sound and song (courtesy of composer David Downes and singer Mahinārangi Tocker) with lyrical imagery of the family revelling in their rural backblock (shot by Stephen Latty). There is added poignancy in the fact that Tocker — playing the mother who loses her boy — herself passed away in 2008.

Loading Docs 2016 - Blood Sugar

Web, 2016 (Full Length)

Four-year-old Dahlia Hitchcock lives by this mantra: When you die, you don’t do anything; when you’re alive you play. Behind her cheeky grin is a brave wee girl who endures several daily “bum pricks” to treat her Type 1 diabetes. Her father, director Joe Hitchcock, made this 2016 Loading Doc to bring awareness to Type 1 diabetes, which has no known cause or cure.  The same year as they made this, Hitchcock and producer Morgan Leigh Stewart completed another short film  — action comedy Stick To Your Gun.

Marti: The Passionate Eye

Television, 2004 (Excerpts)

Arriving downunder from London in 1958, Marti Friedlander began photographing New Zealand, partly as a way of coming to terms with what she saw as its foreignness. In the process she captured aspects of Aotearoa that familiarity had made invisible to its inhabitants. She photographed artists, Springbok Tour protesters, and kuia with moko (for a book with historian Michael King). After screening on TV One, Shirley Horrocks' documentary was one of 20 chosen to screen at Doku.Arts 2007, a German festival devoted to films about artists. Friedlander passed away in November 2016.