In this 2002 documentary director Brita McVeigh heads down the aisle to explore the world of air hostesses in air travel’s glamorous 60s and 70s heyday. Seven ex-“trolley dollies” recall exacting beauty regimes, controversial uniform changes, and the job’s unspoken insinuation of sexual availability. The cheese and cracker trolley becomes a vehicle that charts the changing status of women as McVeigh argues that — despite layovers in Honolulu, and a then-rare working opportunity for ‘girls’ — the high life concealed harassment, and struggles for equal rights and pay.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
Director Dave Gibson heads to Wellington's red light district on Vivian Street to interview strippers and prostitutes for this TV One documentary. Night workers ply their trade on the busy street, and inside late night venues like Tiffany's strip club. The nearby Evergreen cafe is also used as a drop-in centre by the city's gay community. Prostitute Kayla talks about AIDS reducing client numbers, while stripper Crystal Lee is nervous before her first dance. Police mention an improved relationship with prostitutes; Tiffany's owner Brian Le Gros claims men visit his club for fun not nudity.
Of the four performers on this episode of Pulp Comedy, Sam Wills arguably makes the most lasting impression. His fast-talking magic show is a far cry from his later mute act, The Boy With Tape On His Face (aka Tape Face), which in 2016 became a viral sensation via TV's America’s Got Talent. Although his Pulp Comedy performance is significantly more vocal than the one that would make his reputation, his quirky use of props remains familiar. Elsewhere on the show Mike Loder has a dangerous encounter with a wētā, and host Paul Ego gets in trouble trying to order a coffee.
This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary.
This is the first of a two-part "money and greed" morality tale set in a Rogernomics-era 'New Auckland' of property deals and horse racing. Working class lass Tammy (Annie Whittle) and art consultant Joanna (Miranda Harcourt, fresh from Gloss) are an unlikely duo who inherit a racehorse and a greasy spoon cafe (instant coffee rather than cappuccino). Brit import James Faulkner plays a shady developer whose scheme is blocked by the duo. Murder, underhand unitary plans, yuppie love and old gambling debts complicate life for Tammy and Joanna.
The winner of Tropfest 2013, Cappuccino Tango, is a caffeinated musical set at the Ozone Bean Store that gently pokes fun at the New Zealand-wide obsession with the black stuff. The customers sing the names of their favourite brews in an ever-building chorus, broken only by the scandalous arrival of a decaf drinker — who performs a tango with a fellow decafer — and then by a pair of beverage infidels. New Plymouth-based production company Touching Cloth had previously made a series of V48 Hour Film Challenge films and have a background in local theatre and TV production. Writer Andy Bassett also composed the tango-tastic score.
This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).
Waking up with a vicious hangover after a big night out, Seff (Dahnu Graham) wanders Karangahape Road in need of keys to get into his house. Seeking only his flatmate and a flat white, Seff finds himself harrassed by all about a lewd act he has no memory of. Matters are made worse by the dubious company of Jeremy, who provides a running commentary while playing constant guitar. The black comic short was made as part of the K’ Rd Stories series, which celebrate the quirks and qualms of Auckland’s most notorious, and beloved road. Warning: contains some offensive language.
'Sui generis' is a Latin expression meaning "the only example of its kind, unique". This second edition of the anthology web series explores romantic life for Auckland’s LGBTQIA+ community in the second decade of the 21st century. Each episode is stand-alone and ranges in location from fancy dress parties, to Grindr hook-ups – "the connective tissue of each story is technology, apps and dating." These three episodes range from a tender romance which contains a surprise, to dating as dance routine, to a quirky encounter at a party. Warning: contains adult themes.