The second part of this 1982 series on the history of aviation in New Zealand hang glides to the 30s golden age where world famous flying feats (from the likes of Aussie Sir Charles Kingsford Smith and NZ aviatrix Jean Batten) inspired a surge in aero and gliding clubs and the beginning of commercial domestic flights and aerial mapping. War saw Kiwis flying for the RAF and modernised an ageing RNZAF, taking it from biplanes to jet aircraft. Presented by pilot Peter Clements, the series was made for TV by veteran director Conon Fraser and the National Film Unit.
This series aimed to introduce and encourage young Kiwis into the outdoors. Fronted by climber Graeme Dingle, and based at Turangi's Sir Edmund Hillary Outdoor Pursuits Centre (co-founded by Dingle in 1973), it was produced for the Department of Education. In this sixth episode Dingle surveys the history and confidence-building philosophy of the centre, showing rafting, rope courses, and a bush rescue. He also revisits influential moments in his adventuring career, from heading up the Ganges in a jetboat, to helping disabled climber Bruce Burgess up Ruapehu.
This early 80s series aimed to introduce and encourage young Kiwis into the outdoors. Fronted by legendary climber Graeme Dingle, and based at Turangi's Sir Edmund Hillary Outdoor Pursuits Centre (co-founded by Dingle in 1973), it was produced for the Department of Education. In this fifth episode Dingle and a bevy of young Kiwis learn about the basics of alpine travel: traversing and belaying on the slopes of Mt Ruapehu. The team tackles an igloo build, before practising self arrest using a pick axe, and ultimately, summiting the volcano.
In 2006, Th’ Dudes reformed after 26 years. This documentary follows them on a national tour as members Peter Urlich, Dave Dobbyn, Ian Morris, Lez White and Bruce Hambling reflect on their former lives as late 70s pop stars. Encouraged to behave like stars, they didn’t disappoint. There are frank discussions about sex, drugs, an obscene t-shirt, on-stage nudity and other bad behaviour — but also the stories behind classic songs like ‘Bliss’, ‘Right First Time’ and ‘Be Mine Tonight’, which still captivate adoring, if aging, audiences a quarter of a century later.
This third episode of Men of the Silver Fern follows the fortunes of the All Blacks from 1956 to 1978. In 1956 the All Blacks had beaten the Springboks by playing a conservative ’10-man’ game, but they faced criticism for their dour pragmatism. A decade later the backs were back: coach Fred ‘The Needle’ Allen based his triumphant turn at the helm of the All Blacks on expressive, running rugby. This episode follows the All Blacks’ ongoing mission to win a series in South Africa, and achieve a ‘grand slam’ of victories over the home unions on a tour of the UK.
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lyn of Tawa.
This 1966 NFU film shows highlights of the fourth rugby test between the touring British Lions and New Zealand's All Blacks. Filmed in the days before live telecast of home matches (it was feared attendance would be affected) the Eden Park test features some classical rucking and free-flowing back-line play. A broken collarbone reduces the Lions to 14 men early on (injury replacements were not allowed) and the All Blacks prevail 24-11. Coached by Fred Allen, a great AB line-up (the Meads bros, Tremain, Nathan, Gray, Lochore) won the series 4-0.
Dunedin-born actor Colin Tapley found character parts gave his movie career longevity. Tapley argued that the average time for a leading man in 1930s Hollywood was seven years. He played supporting roles in pre-World War II Hollywood films, and after the war extended his career into the late 60s with performances in British movies and TV. His best remembered film is 1955 classic The Dam Busters.