Collection

The Florian Habicht Collection

Curated by NZ On Screen team

Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.

A Soldier's Tale

Film, 1988 (Excerpts)

In the wake of the Allied invasion of Normandy, US soldier Saul (Usual Suspect Gabriel Byrne) meets Belle, alleged to be a Nazi collaborator. He offers to stay in her cottage as Résistance accusers circle. The tragic tale of moral ambiguity during wartime was adapted from a novel by Kiwi MK Joseph. Filmed in France in 1988, director Larry Parr’s feature debut was troubled by the withdrawal of a French partner and bankruptcy of the US distributor; after film festival showings it screened on NZ television in 1995. French actor Marianne Basler won a 1992 NZ Film Award as Belle.

Hearts Like Ours

The Naked and Famous, Music Video, 2013

Though gifted with a typically driving chorus, this Naked and Famous track evokes a state of limbo and dissatisfaction. Winner of a New Zealand Music Award for Best Music Video of 2014, Campbell Hooper's clip is permeated by mist and mysterious, possibly violent events. Is that a murder playing out on screen, or merely someone getting the firewood ready? Are those men doing exercise, or punishing themselves? And is that Michelle Ang getting out of the pool? Longtime collaborator Hooper directed the video in New Zealand and the band's base in Los Angeles.

Kaitangata Twitch - First Episode

Television, 2010 (Full Length Episode)

Kaitangata Twitch follows 12-year-old Meredith, who sees eerie visions as a Governors Bay island is drilled for mining. The Māori Television series was adapted from a Margaret Mahy story by long-time collaborator Yvonne Mackay. Mahy makes a rainbow-wigged cameo in this episode where the locals protest a subdivision, and Meredith apprehends the island's 'twitch'. Newcomer Te Waimarie Kessell stars, with Charles Mesure and George Henare. The mix of the Māori concept of wairua with a willful 21st Century teenage heroine won a Remi Award at Worldfest-Houston 2010.

Artist

King Kapisi

South Pacific hip hop heavyweight King Kapisi (aka Bill Urale) won the 1999 APRA Silver Scroll award for Songwriter of the Year with 'Reverse Resistance' — the first Polynesian to do so. The Wellington-born PI rapper signed to Festival Mushroom Records in 2000 and released the critically acclaimed Savage Thoughts, followed by 2003's 2nd Round Testament and 2005's Dominant Species. The albums showcase Kapisi's politically conscious lyrics and distinctive beats. His collaborators have included Che Fu, The Mint Chicks, and his partner Teremoana Rapley. In 2006 Kapisi formed his own record label, Quabax Wax.

The Weight of Elephants

Film, 2013 (Trailer)

Filmed in New Zealand’s deep south, this feature follows the vicissitudes of Adrian: a sensitive 11-year old haunted by the disappearance of three local children, who befriends mysterious new-in-town Nicole. The adaptation of Sonya Hartnett’s coming of age novel Of A Boy, is the feature debut of Denmark-based Dunedin-born director Daniel Joseph Borgman, following on from his lauded shorts Berik, and Lars and Peter. The creative team behind the 'informal' Danish-NZ co-production included frequent collaborators of directors Lars Von Trier and Thomas Vinterberg.

Artist

Mt Raskil Preservation Society

A one-off project, the Mt Raskil Preservation Society was put together to perform 'Bathe in the River', the rousing gospel-inspired number that forms the centrepiece of Don McGlashan's score for Toa Fraser's feature film No. 2. Those accompanying vocalist Hollie Smith include Wellington-based singer Bella Kalolo (on lead backing vocal), Auckland's Jubilation Choir and regular McGlashan collaborators David Long (a former Mutton Bird) and Sean Donnelly (aka SJD). McGlashan recorded his own version of 'Bathe in the River' for his Marvellous Year album.

Standing in this Fire

Anika Moa, Music Video, 2008

Frequent collaborators singer Anika Moa and director Justin Pemberton crossed paths again for the music video of this track, from Moa's 2008 album In Swings the Tide — her first, slightly countrified album for EMI. In a tastefully furnished room, Moa wakes in a bed of chocolate satin sheets, only to find the day is nearly done for her and the mysterious bedmate sleeping next to her. Moa exhorts her lover, “please don't be mean to me 'cos I really tried ...”, before stripping the duvet off the relationship to see what's underneath.

Dreaming

Scribe, Music Video, 2004

After his hard-hitting debut single 'Stand Up' and the hit remix of 'Not Many', Scribe took a gentler approach on the third single from his five times platinum debut album. Rolling clouds open the music video, which trades bombastic beats and ominous synth tones for gentler piano. The chart-topping hook, originally written for Che Fu, was sung by Scribe himself after encouragement from collaborator P-Money. Photos from Scribe’s childhood appear on screen while he raps about the struggle to realise his potential, before glimpses of 'making of' footage from previous videos.

Valley of the Stereos

Short Film, 1992 (Full Length)

Valley of the Stereos is a comic face-off that starts tinny, but gleefully escalates to bass heavy, as a not-so-zen hippy (Danny Mulheron) gets caught up in a vale-blasting battle with the noisy bogan next door (Murray Keane). Made by many key Peter Jackson collaborators, the near-wordless pump up the volume tale was directed by George Port, shortly before he became founding member of Jackson's famed effects-house Weta Digital. Ironically Weta's computer-generated miracles would help render the stop motion imagery seen in the finale largely a thing of the past.