Pita Turei's wide-ranging documentary explores the history of nuclear testing in the Pacific — and its relationship with French colonialism in Tahiti (which locals claim has made them strangers or "Hotu Painu" in their own land). There is compelling testimony of serious health effects from previous tests; and Turei's cameras follow a Greenpeace protest flotilla to Moruroa as the French keep watch. Interwoven throughout is the bombing of the Rainbow Warrior and its aftermath, as DGSE agents are tried and the ship finds a final resting place at Matauri Bay.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
On the Samoan island of Sapepe, the rebellious, pranksterish young Pepe (Faifua Amiga) rejects his imported Christianity and declares himself a descendant of the old gods, setting himself on a path of alienation and conflict. In this excerpt, he leads a burglary of his father's store and burns down a church on the streets of Apia. Adapted from two works by Albert Wendt and shot with a local and largely amateur crew, Martyn Sanderson's first feature is emboldened by vivid cinematography and Kingpin-star Amiga's unforced charisma in the lead role.
This excerpt from the first episode of James Belich’s award-winning history of Māori vs Pākehā armed conflict looks at growing Māori resentment, after the signing of the Treaty of Waitangi. The focus is on Ngā Puhi chief Hōne Heke, who sees few concessions to partnership. He is especially incensed by the refusal of the British to fly a Māori flag alongside the Union Jack. His celebrated acts of civil disobedience directed at this symbol of imperial rule flying over Kororāreka (now Russell) lead to the outbreak of war in the north.
This 1997 Inside New Zealand documentary looks at the evolution of modern Māori political activism, from young 70s rebels Ngā Tamatoa, to Te Kawariki's protest at Waitangi Day in 1995. Directed by Paora Maxwell, it is framed around interviews with key figures (Syd Jackson, Hone Harawira, Ken Mair, Mike Smith, Annette Sykes, Eva Rickard, Joe Hawke). The interviewees explore events, and the kaupapa behind their activism, from thoughts on sovereignty, and the Treaty of Waitangi, through to symbolism (tree felling, land marches) and being kaitiaki of the environment.
This docudrama follows an imaginary news reporter who travels back in time to cover the days leading up to the Treaty of Waitangi’s signing on 6 February 1840. Dropping the usual solemnity surrounding Aotearoa’s founding document, it uses humour and asides to camera to evoke the chaos and motives behind the treaty. Written by Gavin Strawhan, with input from novelist Witi Ihimaera, What Really Happened screened on TVNZ for Waitangi Day 2011. Its nominations at the Aotearoa TV Awards included Best Drama, director (Peter Burger) and actor Jarod Rawiri (who played Hōne Heke).
This 1951 National Film Unit production looks at the Cook Islands, and marks the 50th anniversary of the islands’ annexation in 1901. Unusually long (half an hour) for an NFU film, it shows history ("Vikings of the Pacific" through Captain Cook to New Zealand administration) and island life: spear-fishing, catamaran sailing, breadfruit gathering, weaving, dancing and singing. The islands are depicted as paradise guided by NZ paternalism, with the Islanders grateful recipients of modern communication, technology, health services, education, and... tinned meat.
This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.