Māori Television’s award-winning news and current affairs show took its bold name from a colonial government department. This 2017 episode profiles four non-conformists: Mongrel Mob boss Rex Timu’s war on P; Raihania Tipoki's waka protest against East Coast oil surveying; Taranaki mother Tina Tupe's preparations for her own tangi; and globetrotting screenwriter David Seidler. Seidler makes an annual trip to a Tarawera cabin – he has a Kiwi son to a Māori woman – and talks about his Oscar-winning movie The King’s Speech, and his admiration for kapa haka.
This episode of rugby series The Game Of Our Lives looks at the impact the sport has had on race relations in New Zealand. The country's history of rugby forging bonds between Māori and Pākehā is a stark contrast to South Africa's apartheid policy. Tries and Penalties focuses on the troubles between Aotearoa and South Africa — from coloured players George Nepia and Ranji Wilson being excluded from All Blacks tours to South Africa, to the infamous 1981 Springboks tour, and Nelson Mandela opening the 1995 Rugby World Cup final between the two teams.
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
This episode from the 11th season of the award-winning show sees presenters Te Ori Paki and Ria Hall and company makeover a unique marae: Rongomaraeroa-o-nga-hau e wha. The marae in Waiouru serves members of the NZ Army — aka Ngāti Tūmatauenga — and the local community. Capturing the role of taha Māori in the Defence Force, the makeover enlists 140 new Army recruits, locals, whānau, hapu, ex-military personnel from all over New Zealand, and Victoria Cross recipient Willie Apiata. This season saw Marae DIY shift from Māori Television to TV3.
In New Zealand for his 1983 Serious Moonlight tour, David Bowie stops for a cigarette with Radio with Pictures, to talk about past, present and future projects. Bowie mentions recording hit album Let’s Dance in three weeks, and briefly touches on mysterious music and screen projects, and the "very funny" Ziggy Stardust concert film. Also mentioned: his opinions on Jagger versus McCartney, his desire to work again with Iggy Pop, and how he feels about making the cover of Time magazine. The interview is bookended with brief footage of Bowie's opening number at Athletic Park.
A special episode which asks ten queer people from all over New Zealand about issues affecting their lives. Subjects include health, looking at HIV and safe sex; issues around homophobia, especially focusing on opposition to the Civil Union Bill (passed after this programme was made); the importance of family and relationships; bringing up children within gay relationships; and attitudes to gay marriage (or civil unions). It winds up with comments on how much more tolerant New Zealand society has become since homosexual law reform, in 1986.
Christchurch policeman Stefen Harris launched his film career with this feature-length adaptation of his own book The Waikikamukau Conspiracy, about a small town Māori land claim. When drama funding couldn’t be secured, it was shot as a low budget mockumentary in just six days in South Canterbury. Jim Moriarty manages to be endearing in his determination to regain his people’s land at any cost, while David McPhail and Mark Hadlow enthusiastically lampoon the judicial system. The film won Best Digital Feature at the 2007 Air New Zealand Screen Awards.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
Aotearoa is the last big land mass on earth discovered and settled by people (orthodox history suggests Māori arrived around 1280). Directed by Mark McNeill, this Greenstone TV documentary examines controversial evidence put forward to claim an alternative pre-Māori settlement — from cave drawings and carvings, to rock formations and statues. Historians, scientists, museum curators, and amateur archaeologists weigh up the arguments, DNA, carbon, and oral stories of the early Waitaha people, to sift hard fact from mysticism and hope.
Formed in Dunedin in 1988 and signed to Flying Nun; the 3D’s Nun lineage was distinguished: Dominic Stones (Bird Nest Roys, Snapper); Denise Roughan (Look Blue Go Purple); and David Mitchell (Chug). The wild guitar-playing of David Mitchell, coupled with the warped pop song-writing sensibilities of David Saunders led to The 3Ds making a big early 90s impact, being well-received live and on record. ‘Outer Space’ was the band’s big single with its unforgettable line - “I left my face, in outer space.”