This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
This collection shines a spotlight on all things dance-related. On pointe are ballet gems from the 1960s, 80s and the 90s, and ballroom dancing from Dancing with the Stars and Top Dance. Hip hop busts out some moves in The Palace, led by choreography sensation Parris Goebel. Also featured are contemporary dancers Douglas Wright (who turns up in multiple titles), Black Grace, Mary Jane O'Reilly, Taiaroa Royal and Michael Parmenter. And on the not so serious front, Suzanne Paul gets funky doing the 'Blue Monkey'.
This episode from series five of Kete Aronui, a documentary series featuring Aotearoa's artists that screened on Māori Television, follows the careers of iconic contemporary dancers Taane Mete and Taiaroa Royal. For both, training at Te Whaea propelled them into their art, teaching them not only technique but also a way of life. Featuring footage of Royal dancing in Douglas Wright's Forever (1993), the excerpt also includes a dance class with Michael Parmenter, another dance great, and discussion of dance companies Limbs and Black Grace.
Douglas Lloyd Jenkins and Nick Ward's arts road trip reaches Wellington where Jacob Rajan and Justin Lewis of Indian Ink Theatre Company discuss their acclaimed play 'Krishnan's Dairy'. Dancer Ross McCormack reflects on his journey from building site to dance school; and percussion group Strike incorporate movement and staging into their work. Ceramic artist Raewyn Atkinson is exploring the textures of Antarctica and there's a visit to the Dowse Art Museum to meet jeweller Peter Deckers and to view an exhibition of textile designer Avis Higgs' work.
Aileen O'Sullivan's and Toby Mills' documentary follows Black Grace as they prepare for an appearance at premier dance festival Jacob's Pillow, in Massachusetts. The film also charts the personal journey of the dance group's founder, choreographer Neil Ieremia, from the community halls of Porirua to the global stage, powered by an unrelenting perfectionism that makes for some heated rehearsal footage. Shortly after the performances shown here, Ieremia fired the entire touring company, rebuilding his vision from scratch. Ken Sparks' editing won an NZ Screen Award.
This live TV spectacular documents an 18 October 1981 Royal Variety performance in front of the touring Queen Elizabeth and Duke of Edinburgh. Performers in St James Theatre included Ray Columbus (in That's Country mode), Sir Howard Morrison and John Rowles. Dance is represented by Limbs and the Royal New Zealand Ballet, while McPhail and Gadsby and Billy T James deliver pre-PC gags. There’s a show stopping all-singing all-dancing finale, and what seems like the entire roster of NZ showbiz of the time lines up to greet the Queen, including Lyn of Tawa.
This muscular early 90s cover of The Fourmyula’s pastoral 1969 classic comes from the first album by Don McGlashan’s band The Mutton Birds. The award-winning music video was directed by Fane Flaws — the first of six he made with the band (after previously working with McGlashan on The Front Lawn’s Beautiful Things clip). Guest vocalist Jan Hellriegel features amongst the battery of kaleidoscopic and psychedelic digital effects used to evoke the joys of nature. In 2001 the original tune was voted best NZ song in 75 years by songwriters’ association APRA.
Haunting Douglas is a documentary portrait of dancer and choreographer Douglas Wright. It weaves interviews with footage of past performances, and extracts from his autobiography; from drug addiction and illness, to determination and triumph on the New York stage with the Paul Taylor Dance Company. Award-winning director Leanne Pooley captures Wright's resilience: "I need to make things to feel that I can cope with whatever reality is. For me, dancing, performing for people, is the ultimate mystery and the ultimate joy." Wright passed away in November 2018.
In 1989 dancer Douglas Wright returned home to choreograph and form his own company. This half-hour TV documentary, marking the launch of his work Gloria, looks back on a blossoming career that began at 21 — when he took up ballet to overcome a heroin addiction. After becoming a star with Limbs, Wright joined prestigious troupes in London and New York. Now, as opening night looms, he is acutely aware of the danger of pushing his dancers too hard as he fights to get the best out of them on an ambitious, demanding piece. Douglas passed away in November 2018.
This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directed coverage of the ballet.