New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
Labour Day commemorates the struggle for an eight-hour working day. Kiwi workers were among the first in the world to claim this right — in 1840, carpenter Samuel Parnell won an eight-hour day for workers in Wellington. This collection brings together 20 titles that involve Kiwi working life: from economic revolutions and an industrial dispute negotiated live on air (Post Office Go Slow), to public service comedy Gliding On and a portrait of union leader Ken Douglas.
Colin Broadley was part of the Kiwi soundtrack during a decade of dramatic change. A DJ on NZ's first pirate radio station, he was also hunky star of Runaway, the first local movie in 12 years. In 1986 'whatever happened to' style series Then Again found him in the Coromandel, where he was tending bees and living back to the basics. Broadley talks exciting times on the Radio Hauraki boat, and inside a cell; the perils of kissing Bond girl Nadja Regin in the Opononi mud; a near-fatal crash; visits to China, and his belief that modern day economics and land use are unsustainable.
Documentary series Revolution mapped the social and economic changes in New Zealand society in the 1980s and early 1990s. This first episode focuses on NZ's radical transformation from a heavily regulated welfare state to a petri dish for free market ideology. It includes interviews with key political and business figures of the day, who reveal how the dire economic situation by the end of Robert Muldoon's reign made it relatively easy for Roger Douglas to implement extreme reform. Revolution won Best Factual Series at the 1997 Film and TV Awards.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
New Zealand’s economy is in serious trouble in the first episode of this award-winning drama series about The Great Depression. An ailing Prime Minister and a weak government seem powerless in the face of a downward spiral caused by rising unemployment and falling export prices. Meanwhile, the plight of a boot maker seeking work while people are being laid off all around him, and a jeweller struggling to keep his business afloat and food on his family’s table bring home the human cost and social divisiveness being caused by the worsening crisis.
This headline-grabbing 1979 documentary examines inequality via interviews with an unemployed student, a young widow and a Porirua family of eight; plus visits to a Fijian village and a Hong Kong housing estate. The film's arguments that business and government monopolies had caused poverty in “egalitarian New Zealand”, and that NZ trade practices had added to it elsewhere, displeased Prime Minister Robert Muldoon. State television refused to screen the Greg Stitt-directed documentary; CORSO, the charity who commissioned it, was removed from the government’s funding list.
Our Small World is a portrait of life on an atoll in Tokelau — on Fale, an island so small, the schoolhouse had to be built on the next island, and the pigs live on the reef. Narrated by Tokelau-born Ioane Puka on a return visit, the film examines old traditions meeting pressures from the outside world, an emphasis on self-sufficiency and togetherness, and worries over education and a declining, youth-heavy population. Key decisions are made by a group of male elders, although after initial doubts, they have accepted a woman police officer.