Mediarena was an exhibition of contemporary art from Japan on show in New Plymouth in 2004. Held at the Govett-Brewster Art Gallery, it showcased 17 artists and a video installation. Hosts Serena Bentley and Yuri Kinugawa travel to Taranaki for the Artsville series and find out how artists are transforming and subverting traditional images and ideas and bringing them into a contemporary form. Themes include female subservience in Japanese society, celebrity culture, the commuter experience, genetic modification and ecological sustainability.
Soul songstress Hollie Smith looks gorgeous in a fierce kind of way, in this clip directed by Preston McNeil. Auckland bars Hotel DeBrett and Sale St gleam, and there are clowns, stylish assassins and a mysterious crime. Not to mention celebrity cameos galore — including Danielle Cormack, future Westside actor Pana Hema-Taylor, and music TV hosts Shavaughn Ruakere, Nick Dwyer and Helena McAlpine. Topping it all off: surely the longest credits sequence in the history of Kiwi music videos.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for New Zealand music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the light on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who would go on to make another arts showcase, The Gravy. Amidst the calvacade of Kiwi talent, Flight of the Conchords and musician Ladi6 made early screen appearances.
Grant Bowler cemented his place in Kiwi television history by playing charismatic Outrageous Fortune bad boy Wolf West. Long based out of Australia, the self-described 'Aussiwi' has become increasingly visible on American screens since 2008, backing movie work with roles in shows Ugly Betty, True Blood and Lost.
Ash Turner is a production designer and art director with over 20 year's experience contributing to award-winning features and television dramas, plus short films, commercials and live events. His work includes design for the films Snakeskin, A Song of Good, and Planet Man, as well as award-winning TV drama Ngā Tohu: Signatures.
Since graduating from Elam School of Fine Arts in 2003, James Brown has edited documentaries for directors Thomas Burstyn, Briar March, Roger Donaldson (co-editing a documentary about motor racing legend Bruce McLaren) and Annie Goldson. In 2013 Brown shared an NZ Film Award with Goldson, for co-editing He Toki Huna: New Zealand in Afghanistan. He has also directed a trio of documentaries on teen rugby players from Los Angeles (the first was 2013 award-winner Red White Black & Blue), plus music videos and video blogs. His company Branch Out Media specialises in offline editing.