On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
For this lauded Seven Days assignment Ian Johnstone was the first NZ television reporter to travel to apartheid-era South Africa. In this episode (one of three) he finds a white minority clinging to power in the face of mounting violence and a sense of looming change. The limbo-like status of the mixed-race Coloureds stresses how untenable the regime’s policies have become; and demand for equality from black students is palpable. Interviewees include a defiant Prime Minister Vorster, author Alan Paton (Cry, the Beloved Country), journalist Donald Woods and activist Helen Suzman.
In September 1893 New Zealand became the first country to grant all women the right to vote in parliamentary elections. This fly on the wall docudrama reimagines this major achievement, following Kate Sheppard (played by Sara Wiseman) throughout the final push of her campaign. The 70-minute TV movie follows the template set by director Peter Burger and writer Gavin Strawhan in their 2011 docudrama on the Treaty of Waitangi, with key characters directly addressing their 21st century audience. At the 2012 NZ TV awards, Wiseman won for Best Performance by an Actress.
In this 2002 documentary director Brita McVeigh heads down the aisle to explore the world of air hostesses in air travel’s glamorous 60s and 70s heyday. Seven ex-“trolley dollies” recall exacting beauty regimes, controversial uniform changes, and the job’s unspoken insinuation of sexual availability. The cheese and cracker trolley becomes a vehicle that charts the changing status of women as McVeigh argues that — despite layovers in Honolulu, and a then-rare working opportunity for ‘girls’ — the high life concealed harassment, and struggles for equal rights and pay.
Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.
Sports broadcasters turned entertainers Glyn Tucker and Ernie Leonard invite viewers to 'Walk Right In' in this ill-fated variety show. There are performances from singers including Bridgette Allen and Glyn Tucker himself; and belly dancing from the Elektra Dancers. It’s FA Cup Night, so Glyn interviews the manager of English football team Norwich City (with dimly lit footage of them playing a local selection) and Ernie has a rather odd chat with aviator Fred Ladd (who insists on answering in rhyming couplets). Equally curious is ‘The Silver Shot’ ...
New Zealand’s first left-wing documentary filmmaker, Cecil Holmes achieved notoriety in the late 1940s through the highly publicised exposure of his communist activity as a Public Service Association (PSA) delegate in the National Film Unit. He went on to become a significant film director in Australia.Image credit: Alexander Turnbull Library, 1/2-023573; F (detail)
The first part of this controversial, no-holds-barred portrait of Robert Muldoon — the dominant figure of 20th century NZ politics — traces his rise to power. In one of the show’s most contentious themes, Neil Roberts and Louise Callan explore the effect that the death of Muldoon's father from syphilis may have had on his political career. Interviews with colleagues and family members cover his childhood, war service, early years as a husband and father, his immersion in the National Party and the relentless, divisive style that saw him become Prime Minister in 1975.
This 1975 general election leaders' debate sees Prime Minister Bill Rowling (Labour) square off against contender Robert Muldoon (National) in front of a panel (Bruce Slane, Gordon Dryden, David Beatson). Rowling had been in the job a year, after the death of Norm Kirk, and Muldoon paints him as a drifter in the face of the first oil shock. It was one of three pre-election specials made for NZ TV’s new second channel. This is filmed in black and white, but during this campaign National exploited newly-arrived colour TV via the infamous ‘Dancing Cossacks’ ads.