Taika Waititi's fourth feature is the tale of a city kid and a grumpy uncle on the run. Raised on hip hop and state care, Ricky (Shopping's Julian Dennison) goes bush with his foster uncle (Sam Neill). The authorities are on their tail. In this excerpt, the pair get caught, and s**t gets real. Wilderpeople is based on Barry Crump book Wild Pork and Watercress. Keen to recapture the style of classic screen yarns like Came a Hot Friday, Waititi's aim was a funny, accessible adventure. The result won acclaim almost everywhere it went, and became New Zealand's biggest ever local hit.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
“These three birds are over half the world population of their species.” Peter Hayden’s narration lays bare the stakes for the Chatham Island black robin, and the Wildlife Service team (led by Don Merton) trying to save them. Merton’s innovative methods include removing eggs from nests – to encourage the last two females to lay again – and placing them in riroriro (grey warbler) foster homes. The black robin documentaries helped forge the reputation of TVNZ's Natural History Unit. Paul Stanley Ward writes about the documentaries here, and the mission to save the black robin.
In the mid 1970s the Chatham Island black robin was the world's rarest bird. With only two females left, the conservation ante was extreme. Enter saviour Don Merton and his Wildlife Service team. Their pioneering efforts ranged from abseiling the birds (including the 'Eve' of her species, 'Old Blue') down cliff faces, to left-field libido spurs. This 1988 Listener Film and TV award-winner united two earlier Wild South documentaries, and updated the robin’s rescue story to 1987. It originally screened on Christmas Day 1987, before being modified for this 1989 edition.
By 1976 there were only seven Chatham Islands black robins left. It was the world's rarest bird. In a bid to save the species, the surviving birds were taken from one island to another more hospitable island in a desperate rescue mission. This was part of an incredible conservation success story led by Don Merton and his NZ Wildlife Service team. Seven Black Robins and Project Takahē captured viewers' imaginations as part of an acclaimed series of 'rare bird' films that screened on TV series Wild South. They helped forge the reputation of TVNZ’s Natural History Unit (later NHNZ).
Tom Gould’s short film documents the life of Martyka ‘Skin’ Brandt — Mongrel Mob gangster, speedway driver and devoted solo father to 10 children (four of his own, six fostered). Brandt was a rare Pākehā who joined the Mob in the 70s. His stereotype-defying life spans escaping from Sunnyside mental institution as a teen, violence and ‘Mongrelism’, then transformation via parenthood. NYC-based Kiwi Gould filmed Skin in Brandt’s Napier home. Skin won international attention as a Vimeo Staff Pick, Short of the Week, and selection in Dazed magazine’s ‘Doc X’ strand.
Ken Blackburn is a familiar face on New Zealand stage and screen. In a career spanning 50+ years he's appeared in iconic television shows (Gliding On, Shortland Street) and films — including a lead role in 1978 feature Skin Deep. Blackburn was awarded a New Zealand Order of Merit in 2005; in 2017 he received the a Lifetime Achievement award, acknowledging long-serving local actors.
Owen Hughes segued directly from university to a job at independent production company Pacific Films. Since establishing his own company Frame Up Films in 1977, Hughes has gone on to produce 40 plus documentaries and many dramas. Along the way he has nurtured the talents of a number of directors early in their careers, including Niki Caro, Fiona Samuel and Jessica Hobbs.
Art department veteran Dan Hennah worked on a range of screen projects before becoming an art director and set decorator on The Lord of the Rings trilogy. Five times Oscar nominated, he won an Academy Award for his work on The Return of the King. Since then Hennah has graduated to production designing on a number of features, including taking on the job for Peter Jackson's three-parter of The Hobbit.
Kevin Riley worked his way up from gaffer to cameraman to cinematographer, after beginning his working career as an electrician. Along the way he set up Auckland equipment company Cinestuff, founded the New Zealand Cinematographer's Society, and has provided a wide range of images from muscle-clad heroes (Hercules) to the highly competitive world of pub quizzes (Nothing Trivial).