Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
The last novel by Ronald Hugh Morrieson revolves around a freezing plant worker (Peter McCauley) in an interracial marriage. For this little seen movie adaptation, the role of an English remittance man was expanded in an attempt to cast Peter O'Toole (New Zealand-born Bruce Spence got the role). Morrieson's view of small-town Aotearoa is a dark one, as he explores racism, violence, suicide and blackmail. Bruno Lawrence contributes to Jonathan Crayford's jazz-tinged score, and features in the wedding band. The freezing works scenes were shot at the defunct plant in Patea.
Occasional Heartland host Maggie Barry visits the Southland town of Gore, where she checks out horse-shoeing with the New Zealand Farriers Association, visits the local freezing works, and attends the legendary Gold Guitar country music awards (with performers including Suzanne Prentice). Not such a controversial visit to Gore by a TV crew as the one some years later by Havoc and Newsboy's Sell-Out Tour.
Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival
Occasional Heartland host Annie Whittle visits Patea in this full-length episode, and finds the town in rehearsal for the story of its own life. A decade in the making, Poi E - The Musical chronicles Patea's triumphs and tragedies, following the closure of the local freezing works in 1982. Whittle talks to Dalvanius Prime — the musician behind both the original number one song, and the Poi E musical — about the impact the closure had on the township. The programme ends with a rousing live version of 'Poi E'. Prime would pass away in October 2002.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
This National Film Unit documentary records the 18-month-long building process of a waka taua (war canoe): from the felling of the trees — opening with an awe-inspiring shot of the giant totara selected by master carver Piri Poutapu — to the ceremonial launch. The waka was commissioned by Māori Queen, Te Arikinui Dame Te Atairangikaahu, and built at Tūrangawaewae Marae. The Harry Dansey-narrated film was significant in showing the importance of the canoe-building kaupapa alongside the everyday lives of the workers (at the freezing works, the pub).
This second episode of the early 80s chat show sees host Ian Johnstone welcome Howard Morrison, Pita Sharples and Rosa Tamepo to talk about ‘breaking in’. Morrison and Sharples discuss being Māori ‘breaking in’ to a Pākehā world. Tamepo reflects on being a Pākehā married to a Māori. Sharples recalls being a Kahungungu boy from the backblocks at Auckland University; Morrison twists the theme to talk about growing up as a Te Arawa tama in Tūhoe country. Made by David Harry Baldock, the show was inspired by the relaxed style of English interviewer Michael Parkinson.
Eleven-year-old Utah gets dumped with his estranged dad for the day in this 2011 short film. Dad is the sole employee at a Northland rubbish dump. Utah is embarrassed by his Dad’s job and recycled gifts, but thanks to a trash tour and reversing lessons, gets to know him better. One of the first products of the NZ Film Commission’s Fresh Shorts scheme, the film won director Hamish Bennett a NZ Writers Guild award for Best Short Film Script. The Dump was the first short from teacher Bennett and actor/producer Orlando Stewart; they followed with 2014 award-winner Ross and Beth.
Designed to inspire school leavers to find their career, Pathways sees a selection of young New Zealanders talk about their job paths. The pilot episode of this 1994 Careers NZ resource is bookended with a 'mini-drama' about young people flatting together, which includes some familiar faces. Karl Urban plays lazy surfer Wayne, while Robbie Magasiva is the sales assistant whose plans of climbing the career ladder go awry. Marcus Lush plays a DJ who links a series of interviews with people either working or training. Later Lush interviews experts on youth employment prospects.