Stoney Burke reckons aviation fuel just about runs in his veins; fascinated by aircraft since childhood, joining the Royal New Zealand Air Force felt like a logical choice. Burke's long career as an engineer both on the ground and in the air included helping get supplies to Nepal for Sir Edmund Hillary’s school building projects, plus service in the Vietnam War. Flying into Saigon and some of the forward air bases in Vietnam could prove tricky, with planes taking small arms fire on their approach. Post Air Force, Stoney continued his career at Air New Zealand.
Alun Falconer started his film career at the National Film Unit in 1946. Early in 1948 he and cameraman Roger Mirams left the NFU and founded the Pacific Film Unit. A year later he went to China where he worked as a journalist and was an eyewitness to the fall of Shanghai. He left in 1950 for London where he returned to film production and later made his name as a television script writer.
Barrie Everard was a significant player in the local movie business over four decades. After many years distributing films in a highly competitive market, he went on to found the Berkeley Cinema chain. Everard produced 1987 adventure movie The Leading Edge and executive produced Never Say Die. He was the first exhibitor/distributor to sit on the board of the NZ Film Commission, and was chair from 2002 to 2006. He died on 14 November 2016.
English cameraman John Earnshaw moved downunder in 1975, just as the local screen industry was hotting up. A director of photography on hundreds of commercials, he shot two feature-length projects: cult movie Angel Mine, one of the earliest entries in the Kiwi movie renaissance, and TV movie A Woman of Good Character. He passed away on 3 March 2014, leaving behind him a passion project involving a mysterious Boeing aircraft.
Bill Sheat has applied his legal and organisational skills across the arts in Aotearoa, to influential effect. He was pivotal in the setting up the NZ Film Commission, and was its inaugural chair from 1978 to 1985. Sheat also spent time as chair of the Queen Elizabeth ll Arts Council, helped fund John O’Shea's 1960s musical Don't Let it Get You, and played a role in ushering Geoff Murphy’s Goodbye Pork Pie to the screen.
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.