After her brother joined the army early in World War ll, Doris Coppell decided she’d also sign up when she could. And as she says, “the thought of all those lovely sailors was tempting, so I thought I’d opt for the navy.” And indeed she met her future husband while serving at the HMS Philomel training base in Devonport. Just six weeks later she married the British sailor in a borrowed wedding dress. A spritely 92 when interviewed, Coppell recalls the ups and downs of service life, and the course of her post-war years in the UK with affection. Coppell passed away on 16 July 2016.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
After a long flight in a C-130 Hercules, Dez Harrison arrived in Vietnam on the fifth of May 1967. As he puts it, when you’re young and green it’s all an adventure. Serving in 161 Field battery, Harrison says he was blessed with good leadership from non-commissioned officers who were mainly veterans of Korea and Malaya. As the memories rattle off, he has plenty of praise for the Americans in Vietnam, but less so for his Australian comrades. Stories of leave in Saigon and Singapore provide fond memories, but the reception back in New Zealand at the end of his service is less happy.
Pioneering reality TV show Flatmates trained its cameras on the home life of a bunch of young Gen X/Gen Y Kiwis. In this second episode the flatmates clean up after a party gone wild — the landlord ain't happy — and discuss flat finances, chore rosters, gender politics, and Anzac Day. Christian mourns his first love, a Finnish exchange student. Meanwhile Vanessa's pronouncements on apt lecture-wear reveal why she became a minor celebrity (she later co-hosted youth show The Drum). And cameraman/flattie Craig finds the courage to reveal a complicating crush.
When television's nightly news finally went nationwide in 1969, newsreader Dougal Stevenson was the person chosen to read the very first bulletin. Six years later, Stevenson and Bill McCarthy were given alternating command of Television One's 6.30 news slot. These days the beloved broadcaster, occasional actor and car fan presents regional show Dunedin Diary, back in the town where his TV career first began in 1964.
Private Journeys / Public Signposts turns the camera on photographer Ans Westra. Dutch emigree Westra has captured iconic images of New Zealanders since the late 1950s, expressively observing Aotearoa societal changes, particularly Māori urban drift. This film explores her remarkable life and work, and includes commentary from family and friends, fellow photographers, and colleagues, as well as discussion of the Washday at the Pa controversy. Luit Bieringa, curator of Westra's retrospective photo exhibition, directed the film, his first.
Douglas Drury was one of a group of producers who lead an expansion of local television drama at a time — the mid 60s — where New Zealanders rarely saw their own stories on screen. Later, as second in command of state television’s drama department, he helped launch landmark series Pukemanu and initiated NZ's first situation comedy, Buck House. Drury passed away in Australia on 5 February 2016.
The late, great, Davina Whitehouse arrived in New Zealand from England in 1952, having already performed in more than 40 films. Active across multiple mediums — radio, stage, television and film — she also spent four years as an NZ Film Commission board-member. Whitehouse was still acting into her 80s.
Jonathan Brough's short films have screened at Cannes, Edinburgh and America's Slamdance Film Festival. His directing CV includes episodes of Outrageous Fortune, the acclaimed The Insiders Guide to Happiness and mockumentary The Pretender, followed by a run of acclaimed Australian TV comedies (Rosehaven, The Family Law). He also edited award-winning documentary Colin McCahon: I Am.