This edition of the NFU’s long-running Weekly Review series firstly looks at making of apparel for the 1950 Empire Games, including singlets "dyed in the traditional black". Then it’s down to Wellington Zoo to meet their new elephant, Maharanee; and across the harbour to examine earthmoving efforts to alter the Hutt River's course and save Barton’s Bush from being swept away. Lastly, it’s up Mt Egmont (aka Mt Taranaki) to follow good keen rangers trapping possums and shooting goats — some hiding up trees — to protect the native forest and slopes from erosion.
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
This second series leg of The Big Art Trip kicks off in Wellington with a visit to artist John Walsh, who chats about his Māori myth paintings and children’s book Nanny Mango. Douglas and Fiona also talk about Washday at the Pa with photographer Ans Westra and pop-in on jewellery designer Steph Lusted. They visit the Massey Memorial, explain typography and check out the Wellington Writers Walk before meeting architect Nicholas Stevens and viewing a cliff top house he designed. The episode winds up with a look at kinetic sculpture Pacific Grass, by Kon Dimopoulos.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
This edition of the National Film Unit’s long-running monthly magazine series features a diverse line-up. The first report covers the opening ceremony of the meeting house at Waiwhetu Marae, Lower Hutt, where Prime Minister Walter Nash and Sir Eruera Tirikatene receive the pōwhiri and haka. Then it’s a canter to Auckland’s 1960 Pony Club Championships; before flowing down south for the diversion of the Waitaki River in the Otago town of Otematata, as part of the Benmore hydroelectric scheme: a massive earth dam destined to be the “powerhouse of the South Island”.
After working his way up through the ranks of TVNZ in the 80s, producer Gavin Wood travelled the world to work on reality game shows across 10 countries. Alongside work on the local versions of popular game shows such as Wheel of Fortune, he produced live coverage of the 2011 Rugby World Cup opening ceremony on the Auckland waterfront — which went live to 1.5 billion people worldwide.
Ada (Holly Hunter) has been mute since she was six. She travels from Scotland with her daughter (Anna Paquin) and her grand piano to colonial New Zealand, for an arranged marriage. When her husband, a stoic settler (Sam Neill) sells the piano to Baines (Harvey Keitel), Ada and Baines come to a secret agreement. She can win her piano back key by key by playing for him, as he acts out his desire for her. An especially big hit in Europe, Jane Campion's Oscar-winning tale of sexual emancipation in the bush is the only NZ film to have won the top award at the Cannes Film Festival.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
This documentary goes behind the scenes on New Zealand television's first historical blockbuster: 1977 George Grey biopic The Governor. Presenter Ian Johnstone looks at how the show reconstructed 19th Century Aotearoa, and handled large scale battle scenes. The footage provides a fascinating snapshot of a young industry. Also examined is The Governor's place in 1970s race politics and its revisionist ambitions. Key players interviewed include creators Keith Aberdein and Tony Isaac, and actors Don Selwyn, Corin Redgrave, Martyn Sanderson, and Terence Cooper.
Between getting his start in filmmaking with the National Film Unit, and returning to New Zealand to retire, John Feeney made his name as a director at the National Film Board of Canada; he also spent 40 years filming and photographing in Egypt. Some of his NFU films were considered to be outstanding documentaries, and two of his Canadian films were nominated for Academy Awards.