This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
This documentary chronicles a shameful passage in NZ race relations: the controversial mid-70s raids on the homes and workplaces of alleged Pacific Island overstayers. Director Damon Fepulea’i examines its origins in Pacific Island immigration during full employment in the 1960s, when a blind eye was turned to visa restrictions. As times got tougher, that policy changed to include random street checks by police, despite official denials. Resistance by activists and media coverage helped end a policy which has had a long term effect on the Pacific Island community.
This National Film Unit dramatised doco was boosterism for postwar immigration to New Zealand. Three Brits (Margaret, Cassie, Harry) travel and settle down under and the film records their hopes, jobs (nurse, factory worker, engineer), challenges (accents, 'casual' work ethic, locals wary of the ‘Poms’) and adventures in the new country (tramping, skiing, milk bars, the races, romance). Partaking in a glacier rescue raises Harry's spirits and assimilates him with the blokes. The film was released theatrically in the UK, and was scored by Douglas Lilburn.
Nominated for a Qantas Media Award, this documentary examines prejudices against Asians in New Zealand, amidst the context of burgeoning immigration (80,000 ethnic Chinese and 20,000 Koreans have arrived in NZ since 1988). Directors John Bates and Manying Ip look back at the history of Asian settlement in Aotearoa, from colonial xenophobia and the poll tax inflicted only on Chinese migrants, through ‘ching chong Chinaman’ abuse, to the present day — where 21st century migrants face struggles with discrimination, language barriers and integrating in their new home.
Sixty-five years of life are condensed into three minutes in this 2016 Loading Doc, which profiles two pioneering kumara growers and Kiwi characters: Fay and Joe Gock. The Gocks were refugees from the Japanese invasion of China, who met in 1953. It was then illegal for Chinese to own land, but they went on to became the largest market gardeners in Mangere. In 2013 they won Horticulture New Zealand’s highest honour. Told as a poem, narrated by Ian Mune, the film was directed by commercials director and ex Cassandra's Ears bass player, Felicity Morgan-Rhind.
Heart of the High Country saw NZ and the mother country getting into bed together, on and off the screen. The rags/riches/rags tale chronicles 18 years for Ceci (Valerie Gogan), a working class Brit who arrives in the South Island and fends off a series of mean-tempered pioneer males — and one long unrequited love. The Sam Pillsbury-directed mini-series played in primetime on ITV in the UK, and was funded by England’s Central TV and TVNZ. It shares storytelling DNA with earlier TV movie It’s Lizzie to Those Close; Brit Elizabeth Gowans scripted both.
Nina (Aleksandra Vujcic) has emigrated downunder from wartime Croatia. When she falls in love with Māori cook Eddie (Julian Arahanga) and marries a Chinese man who is trying to stay in NZ, her domineering father Ivan is furious. The second movie from Gregor Nicholas remains one of the few from NZ in which Pākehā culture hardly features. The result was one of the highest-grossing NZ films of the 1990s. International reviews praised its power and strong cast — especially Croatian discovery Aleksandra Vujcic ("instantly alluring" said Janet Maslin). Vujcic won one of five NZ Film awards.
Through candid interviews and rare archival footage Children of the Migration tells the stories of the Pacific Island immigrants who came to New Zealand from the 1950s - 1980s and changed the cultural landscape of Aotearoa. Presented by David Sa'ena and actor Vela Manusaute, this humorous and moving documentary includes interviews with All Black Tana Umaga, boxer David Tua, actress Teuila Blakely, hip hop artist King Kapisi and poet Tusiata Avia. Directed by Fijian European Lala Rolls.
Film director Roger Donaldson and motor racing legend Steve Millen both began making their mark in New Zealand, before making the move to California. The first Coming Home episode sees them at work in the USA, and visiting old haunts in Aotearoa. Donaldson shoots the effects-heavy Dante's Peak and prepares $100 million thriller Thirteen Days, while Millen hits the race track, in-between running his custom car parts company. Later he returns to the farm near Auckland, where his need for speed began on the family tractor. Donaldson heads to Auckland and Queenstown.
Sharply contrasting lives in the South-West feature in this episode of director Geoff Steven's USA road trip. Cosmetics millionaire Mary Kay Ash talks about her empire from her pink, Liberace-inspired Dallas mansion; while business efficiency guru Michael George seeks to make American industry more competitive. Meanwhile, in the New Mexico desert, Pueblo Indians attempt to reconcile ancient traditions with the nuclear arms industry that employs them; and, in El Paso, a second generation Mexican-American border guard intercepts illegal immigrants.