This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
Nominated for a Qantas Media Award, this documentary examines prejudices against Asians in New Zealand, amidst the context of burgeoning immigration (80,000 ethnic Chinese and 20,000 Koreans have arrived in NZ since 1988). Directors John Bates and Manying Ip look back at the history of Asian settlement in Aotearoa, from colonial xenophobia and the poll tax inflicted only on Chinese migrants, through ‘ching chong Chinaman’ abuse, to the present day — where 21st century migrants face struggles with discrimination, language barriers and integrating in their new home.
This National Film Unit dramatised doco was boosterism for postwar immigration to New Zealand. Three Brits (Margaret, Cassie, Harry) travel and settle down under and the film records their hopes, jobs (nurse, factory worker, engineer), challenges (accents, 'casual' work ethic, locals wary of the ‘Poms’) and adventures in the new country (tramping, skiing, milk bars, the races, romance). Partaking in a glacier rescue raises Harry's spirits and assimilates him with the blokes. The film was released theatrically in the UK, and was scored by Douglas Lilburn.
This documentary chronicles a shameful passage in NZ race relations: the controversial mid-70s raids on the homes and workplaces of alleged Pacific Island overstayers. Director Damon Fepulea’i examines its origins in Pacific Island immigration during full employment in the 1960s, when a blind eye was turned to visa restrictions. As times got tougher, that policy changed to include random street checks by police, despite official denials. Resistance by activists and media coverage helped end a policy which has had a long term effect on the Pacific Island community.
This film tells the story of a group of Afghani refugees rescued from the high seas off Australia by the freighter, Tampa. It follows the fate of several boys who were given the chance of a fresh start in New Zealand. Deftly blending observational sequences and historical footage, Pacific Solution examines the socio-politicial context of a growing worldwide refugee crisis. It was filmed in Afghanistan, Pakistan, Iran, Australia, Nauru and New Zealand. Pacific Solution was screened by TVNZ and at festivals internationally.
Actor Michael Hurst began life in northern England, then moved to Christchurch at age eight. In this Here to Stay episode he looks at the pervasive elements of Kiwi culture that derive from mother England — from roasts, rugby, tea and the Mini, to a language and legal system. In this excerpt Hurst fries up fish'n'chips with Ray McVinnie, stalks deer with Davey Hughes, and explores how class ideals travelled south to Mt Peel and Christ's College .... A chorus of Kiwis, including ex-All Blacks' captain David Kirk and historian Jock Phillips, ponder the influence.
The TVNZ Leaders Debate for the 2002 General Election attracted controversy for its use of an onscreen graph, which tracked the response of 100 undecided voters in real time. There was concern that the device – aka 'The Worm', first launched in 1996 – would put a focus on populism and TV performance over policy. This post-debate analysis, with broadcaster Peter Williams hosting a panel of political commentators, includes a behind the scenes look at The Worm. Peter Dunne’s later success in the 2002 election was credited in part to his mastery of the line's rises and dips.
This hit animated series about five Auckland school kids was created by Elizabeth Mitchell and theatre group Naked Samoans. This episode sees Vale (Oscar Kightley) dealing with deadlines, punch-ups and prima donnas as he rushes to write and direct the school musical. In the audience are HRH Prince Charles, Chris Knox, Scribe and Helen Clark, who all end up joining in during a showstopping final number about togetherness. "Stop the violence. We're honkies and Asians, horries and curry munchers. Morningside for life."
The final episode of director Geoff Steven's USA road trip provides a number of different takes on the American experience. A mother working as croupier in Reno, Nevada, puts a more modern and respectable face on the state’s previously disreputable gambling industry. An 82 year old professional banjo player in Virginia City recalls his days as a cowboy, while a TV reporter still rides the range on his days off. An upmarket health spa is flourishing in Tucson, Arizona; and, in Florida, Miami has been reshaped by a massive influx of refugees from Cuba.
Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This episode focuses on Burundian refugees living in New Zealand and the importance of reuniting families separated by ethnic conflict in their home country. A number of refugees share their stories and explain the way their lives have changed since coming to New Zealand and the efforts they go to bringing other family members here.