Billed as "directors' essays on great New Zealand artists", TVNZ’s four part Inspiration documentary series profiled authors Margaret Mahy and Witi Ihimaera, photographer Brian Brake and potter James Greig (who died during production of his episode). In describing his inspiration for the series, director/producer Peter Coates told The Listener, "one of the great weaknesses we have in television is the lack of in-depth material on our artists". Coates made three of the programmes, while Keith Hunter produced and directed the Margaret Mahy episode.
This Inspiration edition profiles NZ’s pre-eminent children's author Margaret Mahy: from her childhood as "Mad Margaret", through her days as an unmarried mother and librarian to an internationally acclaimed writing career. The centrepiece is a specially commissioned – and typically zany – story about a story (complete with talking mail boxes, typewriters and bookshelves) where Mahy goes meta, and explores the role imagination plays in her work. Throughout the Keith Hunter-directed documentary there is vivid evidence of the remarkable bond Mahy shared with her readers.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
This edition of the 1987 Inspiration series on Kiwi artists looks at potter James (Jim) Greig, and his search for the “spark of life” found in clay. The Peter Coates-directed documentary visits Greig’s Wairarapa studio to interview him and his wife Rhondda, also an artist. Greig’s influences are surveyed: the work of Kiwi potter Len Castle, nature, orphanhood, and Japan (where his work achieved renown). The film captures the visceral process of making large works for a Wellington City Gallery exhibition. Greig died of a heart attack, aged 50, while this film was being made.
This documentary accompanies author Witi Ihimaera on a journey with his "townie" daughters to his marae in Waituhi on the East Coast, ahead of the publication of third novel The Matriarch. Ihimaera describes his writing as a type of "tangi to a people and to a life" he experienced growing up around Waituhi in the 1950s — a way of life symbolised by the tears of the toroa (albatross) said to be held deep in greenstone. Jim Moriarty is among those reading from Ihimaera's works. The film is directed by Peter Coates, from Inspiration, his series on New Zealand artists.
Brian Brake is regarded as New Zealand's most successful international photographer. He worked for the Magnum cooperative, and snapped famous shots of Pablo Picasso at a bullfight and the Monsoon series for Life magazine. In this Inspiration documentary — made shortly before his 1988 death — Brake reviews his lifelong quest for “mastery over light”, from an Arthur’s Pass childhood to a fascination with Asia. He recalls time at the National Film Unit and is seen capturing waka huia, Egyptian tombs, and Castlepoint’s beach races (for a new version of book Gift of the Sea).
Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings. The Sound of Seeing served early notice on Williams' editing talents, his love of music, and his dislike of narration. It was also one of the first independently-made titles screened on Kiwi television. Composer/author Robin Maconie later wrote pioneering electronic music.
In the early 1960s two North Island schools — Oruaiti and Hay Park — experimented with an innovative method of practical education. This episode of Survey sees principal Elwyn Richardson revisiting Oruaiti, and reminiscing on how the two schools functioned. He offers his views on traditional textbook learning — the more “American” system, as he calls it. Ex students reflect on their time at the school, and how an education based on arts, building and play shaped the people they’ve become. Modern schooling in Aotearoa now follows the example set in those early days.