This 1988 instructional video features Richard Hadlee going over the essentials of how to play cricket. Over its 75 minute running time, Hadlee discusses everything from bowling, batting and fielding, to the importance of fitness, warm-ups, and a well-stocked gear bag. Serving up prime examples of how to bowl the variety of different balls available to a fast bowler, the video includes some Hadlee bowling highlights. Also appearing are fellow cricketers Mark Burgess, Ian Smith, and John Wright, who offer their expert insight into batting, wicketkeeping and captaincy respectively.
Pictorial Parade was a long-running series produced by the National Film Unit. This brace from 1966 tees off with ‘Championship Golf,’ where a jaunty commentary narrates the final game (at Auckland’s Middlemore golf course) of a touring four-match series, played between US champ Arnold Palmer and left-handed local hero and 1963 British Open winner, Bob Charles (30 years-old here). The next clip, ‘Sounds of Progress,’ is an instructional film from the Department of Health, drawing attention to the dangers of industrial noise, with advice on how to avoid it.
This 1967 NFU instructional film demonstrates breathing exercises developed by Bernice ‘Bunny’ Thompson, to help children suffering from asthma and bronchitis. The film was based on the pioneering physiotherapist's 1963 book of the same name. Director Frank Chilton won renown for his documentaries dealing with the health and welfare needs of children. Asthma and Your Child was commissioned by the Canterbury Medical Research Foundation, and was an early example of a privately-funded socially-useful film. The animation of respiratory processes is by Morrow Productions.
Made for the the Forest Service by the National Film Unit this instructional film demonstrates essential firearms safety. Like later cautionary tales (eg. cult bush safety film Such a Stupid Way to Die) the film dramatises what can happen when things go wrong, before a hunter imparts "the five basic safety rules" (with obligatory ciggie hanging from lower lip). The rendering of the lesson might be hokey (compared to the explicit traffic safety ads of the '90s and '00s) but the message is deadly serious, as ongoing hunting tragedy headlines attest.
This isn't an apartheid manual or minimalist design code, but a 1952 road safety film from the National Film Unit. The film follows 'Mrs White' and 'Mrs Black' leaving their respective homes (on foot) for a bridge evening. Mrs White wears visible clothing and faces the traffic (would a modern colour remake see a Mrs Fluoro?). Mrs Black dresses eponymously and walks with her back to the traffic. Predictable results ensue. Modern viewers who associate such character names with Reservoir Dogs will not be disappointed by the suspenseful denouement.
This educational video was made by the NFU for the National Mountain Safety Council to promote awareness of bush safety. After a blackboard science lesson (check out a bearded Ray Henwood) things get interesting. A fictional trip into the bush turns into a Stubbies-clad 70s Kiwi version of the Blair Witch Project as we're told that one of the group will not survive the night, picked off by that fearsome killer: exposure. The message is serious, but the doom-laden tone induced titters in school classrooms and scout halls throughout NZ.
This NFU public safety film takes a jaunty approach to a serious subject as it shows road crossing dangers via bad examples. Mis-steps include walking off the footpath carelessly, crossing the road at oblique angles, 'dithering', and over-confidence. The humour may be physical and the narration pun-filled, but the lessons remain relevant, as pedestrian accidents on Wellington's and Auckland's 21st Century city bus lanes attest. Despite the big question promise of the title there is no Socratic dialogue about crossing the road or any consideration of chickens.
Shot in black and white (by Terry King and future Harry Potter cinematographer Michael Seresin), this early Tony Williams directorial effort answers its road safety instructional mandate with style. A jazzy soundtrack scores the setting up of a literal ‘lives collide’ plot. Two lovers go rambling; a gallerist in a goatee takes photos on a car trip, a beau takes his girl for a Wellington coastal drive, a musical duo drive from a 2ZB recording session ... all the while emergency room flash-forwards are intercut and the clock ticks as basic road safety lessons are ignored.
This instructional film for runners — fronted by Olympic 5000m silver medallist and world record holder Dick Quax — looks at implementing the techniques of coach Arthur Lydiard. From fostering world champions on Waitakere hills, Lydiard's method evolved into a system of building stamina to complement speed. Quax, Dr Peter Snell and other Lydiard protégés look at the science and practice, from training — the high mileage mantra, fartleks, catapults — to race-day strategy: front-running and 'the kick' (with John Walker's 1976 1,500m Olympic win used as an example).
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.