Political cartoonist Malcolm Evans tells his father's story of war in this documentary. Major Hilary Evans was exempt from conscription, but chose to fight in World War II. He was a prisoner of war who escaped and lived rough in Italy's hills and mountains, to avoid recapture. Using his father's letters and diaries as well as interviews shot in Italy, Evans builds up a picture of his father, the soldier. Il Magiorre - My Father's War in Italy played as part of the Documentary New Zealand strand on TV One, and was named Best Documentary at the 2002 Qantas Media Awards.
World War II veteran Everard Otto volunteered for the Territorials at 18, helping supply Americans troops based in New Zealand. But his real war story began when he turned 21 and was sent overseas. He eventually arrived in Italy as a staff car driver. Mostly behind the lines, Otto’s memory of service is based around the brutal battles for Monte Cassino, watching the cruel fighting and bombing that razed the famous hilltop monastery. Returning decades later he found the countryside largely unchanged. He even found the dugout where he spent four eventful months.
Harold Beven reckons he’s the luckiest man to serve in the Second World War. Born in a village east of London, he saw plenty of action in the (UK) Royal Navy, but by his own admission, never got his feet wet. Joining up as soon as possible after the outbreak of war, Beven served in almost all the naval theatres. As a Chief Petty Officer, he was involved in the evacuations of Greece and Crete — and later the allied invasions of Sicily and Italy — as well as the D-Day invasion of France. At the age of 96, Beven remembers entire conversations as if it was yesterday.
This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
This 1983 film looks at New Zealand in World War II, via a compilation of footage from the National Film Unit’s Weekly Review newsreel series, which screened in NZ cinemas from 1941 to 1946. It begins with Prime Minister Savage’s “where Britain goes, we go” speech, and covers campaigns in Europe, Africa and the Pacific, and life on the home front. The propaganda film excerpts are augmented with narration and graphics giving context to the war effort. Helen Martin called it "a fascinating record of documentary filmmaking at a crucial time in the country’s history".
Colin Ramsey was rejected on medical grounds when he volunteered for World War ll, but not long after, he was called up and soon found himself training at Papakura Military Camp. An ambulance driver in the 3rd New Zealand Division, the first part of Colin’s war was in the Pacific. The realities of the conflict hit home while serving in the Solomons. He and his comrades were sent to collect the American casualties of a Japanese bombing raid, a grizzly experience. At 93, Colin’s memory is sharp as he vividly recalls his experiences.
The Wellington seaside suburb of Island Bay is sometimes called Little Italy, thanks to the many Italians who have moved there. This episode of Immigrant Nation is based on interviews with Italian migrants to the suburb — from the woman who remembers the time during World War II when locals stopped talking to her, to the young man feeling "a magnetic pull" back to Italy. Although Italian fishing boats are now rarely seen in Island Bay, old traditions live on; and one woman talks about the responsibility of carrying on Italian traditions and culture into the future.
Joan Daniel was excited to learn she was going overseas as a volunteer nurse in World War II — her mother less so. But it was the beginning of a three year adventure for Joan, as she recounts in this interview. First it took her to Egypt. The cases there were mainly related to ordinary illnesses, and there was time for sightseeing and fun too. Tragedy struck though, when three nurses were killed in a traffic accident. From the Middle East she was sent to Italy and a hospital close to Cassino. The patients now were casualties of war: the wounded, the shell-shocked and the dying.
In this 2014 documentary, singer Whirimako Black explores the World War II experience of her late father Stewart Black (who enlisted as Tai Paraki), and its legacy for his whānau. With her daughter Ngatapa — also a singer — Whirimako returns to Cassino in Italy. The 1944 battle helped forge the reputation of the Māori Battalion, but they suffered heavy losses, and it left survivors like Paraki with trauma and shame. The pair respond in word and song to the place — and to their koro’s memories, which were captured by director Reuben Collier for earlier doco Monte Cassino 60 Years On.
This documentary follows Auckland-based, Italian-born pianist Flavio Villani as he prepares to play Sergei Rachmaninoff’s demanding Piano Concerto No. 2 in Italy — his debut performance as a soloist with an orchestra. Director Rebecca Tansley, who funded much of the documentary herself, tails Villani from four months before the recital that will challenge the prodigal son to affirm his career choice and sexuality, in front of his Italian ex-military father. When it debuted at the 2015 Auckland Film Festival, Crossing Rachmaninoff won a standing ovation.