During the 1960s, two young sisters from Auckland took New Zealand’s music charts by storm. The Chicks — Judy and Sue Donaldson — were 14 and 16 years old when they were first discovered by musician Peter Posa. The duo became famous for their matching outfits, stylish hairdos and catchy pop songs, and their popularity was bolstered by regular performances on hip television music show C'mon. In this short clip the sisters reunite to perform top 10 hit 'Timothy', at a 1985 variety special celebrating the first 25 years of television in New Zealand.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
A Girl to Watch Music By was a six-part series, with each episode showcasing a popular female singer or singing act. Among those featured were recent chart-topper Allison Durbin, perennial Pat McMinn, Yolande Gibson, Eliza Keil from the Keil Isles, and The Chicks. Hosted by Ray Columbus — by 1969, already well on the way to becoming a television veteran — the series also featured a fondly remembered sketch where Columbus played puppet to a much taller Max Cryer. The show's title was likely a variation on 60s instrumental hit 'Music to Watch Girls By'.
In the 1960s Mr Lee Grant topped the Kiwi music charts, and won a trail of screaming fans. He left to pursue an acting and singing career in England (including a close encounter with a propeller, in 007 film A View to a Kill). In this Michael Fowler Centre gala celebrating 25 years of television downunder, he returns to contribute an energetic cover of Spencer Davis Group classic 'Gimme Some Lovin'' (which was originally composed in less than an hour). Chicks Judy and Sue Donaldson — regular fixtures with Grant on 60s music show C'mon — join the fun in C'mon-style costumes.
Sam Neill weaves portions of autobiography into an idiosyncratic, acclaimed yet controversial analysis of Kiwi cinema — from its crude beginnings, to the dark flowering of achievement seen in the breakthrough films of Peter Jackson, Lee Tamahori, and Jane Campion. Directed by Neill and Judy Rymer, as one of 18 films commissioned for the British Film Institute's Century of Cinema series, the award-winning documentary debuted at the 1995 Cannes Film Festival. The New York Times' Janet Maslin rated it a series highlight. The opening sequence looks at the role of the road in Kiwi film.
One of New Zealand's best known screen actors, Sam Neill possesses a blend of everyman ordinariness, charm and good looks that have made him an international leading man. His resume of television and 70+ feature films includes leading roles in landmark New Zealand movies, from a man alone on the run in breakout feature Sleeping Dogs to the repressed settler in The Piano.
James Bartle left his native Australia to work in New Zealand in the 1970s. Bartle made a stylish big-screen debut in 1982 with gothic tale The Scarecrow. His work ranges from shooting psychological drama (Heart of the Stag) to splatter movies (Death Warmed Up). In 1987 Bartle won a NZ Film and TV award for his work on end-of-the-world saga The Quiet Earth. Since then he has worked largely on US tele-movies.