“Balls, bungy and videotape” is the tagline for this Loading Docs short film. The Jump celebrates the DIY spirit of unsung Kiwi hero Chris Sigglekow — who leapt off a bridge in jeans in 1980 for arguably the first modern bungy jump. Sigglekow recalls, and VHS footage shows, the pioneering jumps: from a boxing bag, to his and AJ Hackett’s famous Auckland Harbour Bridge leap. The first doco by ad director Alex Sutherland, Jump won 140,000+ views when it was made a Vimeo Staff Pick, and it was shared by surfing legend Laird Hamilton. Caution: contains Stubbies and Speedos.
With its swirling keyboards and dark lyrical concerns (in keeping with the fraught year New Zealand was then embarking on), 'Jumping Out a Window' has become a classic, including a slot in APRA's Nature's Best Top 100. The third Pop Mechanix single, it shows the influence of the friends the band was starting to make —it was produced by Split Enz' Eddie Rayner and the debut release on Mike Chunn's boutique XSF label. The TVNZ made clip is firmly of its time and one of the broadcaster's more literal efforts (no mean feat in itself) — featuring windows and jumping.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
Web series The Factory is a tale of family and music, inspired by a stage show that became one of the hits of the 2013 Auckland Arts Festival, then travelled to Australia and the Edinburgh Festival. In the fourth episode, try-hard next door neighbour Api tells Losa she ought to be singing alongside him, in the upcoming talent quest. Losa responds by comparing his haircut to a toilet brush. Meanwhile Losa's mother Lily is somewhat surprised to arrive at a party, and find her oven out on the street.
This 2014 web series follows a South Auckland family who set their sights on winning a best-of-the-factories talent quest. In the seventh episode the Saumalus have just snuck through to the next round of the quest, but patriarch Tigi doesn’t seem to have heeded the judge's advice to come back with something from “this century”. Factory boss Keith makes a shock announcement about the factory’s future: the sale of the factory threatens half the workforce. As discussions continue on how to respond to the news, Tavita gets the Romeo and Juliet blues.
This 2014 web series follows a South Auckland family chasing a talent quest title. In this 10th episode (out of 20) the Saumalu family debates Moana’s shock announcement that she is getting engaged to Indian-Kiwi Dev. The head-girl and student DJ are a South Auckland Romeo and Juliet. Dad Kavana wants to send Moana home for some ‘Fa’a Samoa’ (‘Samoan way’) education. Meanwhile Moana finds out that Dev is already engaged, and decides to move things to the next level. The series was based on the hit stage show that debuted at the 2013 Auckland Arts Festival.
Web series The Factory follows a South Auckland family as they prepare to conquer a local talent quest. In episode two the Saumalus get their first worried indication of their grandfather’s musical plans for them, after a summons to the factory where he works. Meanwhile news in the mail leaves older sister Losa worried if she'll ever pass her degree, and younger sister Moana starts hanging out with a music-loving Indian teen, whose newest role model is Che Guevara. The Factory is directed by Supergroove bassist and music video king Joe Lonie.
This miniseries is built around the fortunes of the fictional Smith family during World War l. Directed by Peter Burger (Until Proven Innocent), the first episode is framed around a letter home by nurse Bea Smith (played by Westside's Esther Stephens). This 10 minute opening excerpt jumps from a war hospital in Egypt, back to trysts on the home front: an illicit romance at medical school, high times on Auckland's Grey Street, and a mysterious arrival at the family store. Funded by NZ On Air’s Platinum Fund, When We Go to War debuted on Anzac weekend in 2015.
In the eighth episode of this tale of family, factory and music, the Saumalus protest the sale of Murdoch Textiles and expeted loss of jobs. Indian-Kiwi student Dev (Shaan Kesha) enlists Moana in his plan to break into the boss’s office and make the workers' voices heard. Even if Dev’s blundering scheme doesn’t impress Moana, it does enable subtle marketing use of the show’s sponsorship from Telecom (now Spark) — “what’s your phone number again? 027 SHITFORBRAINS?”.