A jandal-shod journey through Kiwi pop culture. Kiwiana takes a light-hearted look at the fashion, art, architecture, attitudes, and icons (Buzzy Bees, Edmonds, Swanndri, Pavlova etc) we call our own. Directed by Shirley Horrocks, and shot by Leon Narbey, it featured personalities Gary McCormick, Ginette McDonald, John Clarke, Peter Jackson, and others. Screening at a time (1996) when New Zealanders were just beginning to appreciate these neglected everyday objects as ‘collectibles,' it rated highly, and inspired a sequel, Kiwi As.
The intrepid Ice TV trio — Jon Bridges, Nathan Rarere and Petra Bagust — head to Nelson to host the 1998 Montana New Zealand Wearable Art Awards. They meet the creators of the fantastic fashion catwalk extravaganza, whose garments are inspired by everything from Alice in Wonderland, roadkill, X-rays, birds, and the Buzzy Bee, to taniwha and Pasifika. The 'Illumination Illusion' section (designed to be seen in ultravoilet light) is a highlight. Bridges and Rarere revel in going behind the scenes of the 'bizarre bras' section, and Bagust tries on a possum-skin bikini.
The Lounge Bar is the second of Don McGlashan and Harry Sinclair's film collaborations, from when they performed as music/theatre duo The Front Lawn. It follows two men and a woman (Lucy Sheehan) when they meet at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film got wide global release (including Ireland, Germany and the USA). It was a finalist in the first American Film Festival. McGlashan later formed band The Mutton Birds; Sinclair continued as a filmmaker.
In the days before 24-hour television, there was Goodnight Kiwi, a short animation from Sam Harvey that bade viewers goodnight once the day's broadcasting ended. Each night the plucky Kiwi shut up shop at the TV station, put out the milk, and caught the lift up to sleep in a satellite dish with The Cat. For a generation of kids, Goodnight Kiwi became a much-loved symbol of staying up well past your bedtime. Viewers never questioned why our nocturnal national icon was going to bed at night, or sharing a bed with a cat. The tune is an arrangement of Māori lullaby 'Hine e Hine'.
This beautifully shot documentary is a social and architectural history of the great NZ bach (or crib, for those south of the Waitaki). Maggie Barry tracks their evolution from workers’ cottages to a fully fledged icon in danger of extinction: as the blind eye turned by councils that made them possible becomes a thing of the past, and the coastline becomes too valuable to allow ‘just anyone’ to erect a shack on it. The Kiwi spirit that created the building is celebrated. The bach enthusiasts interviewed include Sam Hunt, Keri Hulme, Karl Stead and Rawiri Paratene.
The Marching Girls is the seven-part story of a Taita social marching team who decide to have a crack at the North Island Championships. This pioneering series was conceived by actor-writer Fiona Samuel out of frustration over the dearth of challenging female roles: she declared that it was about time the Kiwi "alienated macho dickhead" shared some screen time with women. Synth-rock soundtracks, ghetto blasters, Holden Kingswood taxis and chain-smoking abound in this feminist-Flashdance-in-formation 80s classic.
New Zealand's beloved Goodnight Kiwi has been through a number of incarnations since debuting on South Pacific Television (later TV2) in the mid 1970s. TVNZ, aware that many Kiwis still held "a tremendous affection" for the kiwi and his cat, commissioned three animated spots to mark the 2008 Christmas holiday season. Auckland animator Tim Hunt was given the job of updating the originals while still retaining the hand-drawn, 2D look of the originals. Of the three clips, the one above most closely follows the original Goodnight Kiwi sign off, which ran for over a decade.
Director John Bates' 1993 documentary examines the life and work of photographer Robin Morrison, who captured iconic images of everyday New Zealand life and landscape. Part biography, part travelogue, the film goes on the road with Morrison to revisit some of his best-loved locations. Stunningly shot by Stuart Dryburgh (The Piano) before Morrison died on 12 March 1993, Sense of Place won Best Documentary at the 1994 New Zealand Film and Television awards, and a certificate of merit at the 37th San Francisco International Film Festival.
In this family-friendly feature, Santa (Finnish actor Kari Väänänen) does a runner to a beach in Aotearoa days before his big night of the year, fed up with bureaucracy and brats. It falls to two Kiwi kids to get him out of the southern sun, and back to global gift giving. Director Tony Simpson (Kiwi Flyer) pitches the North Pole native against Kiwi biosecurity and a bickering camping family (including Step Dave's Sia Trockenheim). Sunday Star Times critic James Croot praised the trio of writers for delivering "a rare 21st century effort that evokes the memory of the great kidult dramedies."
Gregor Nicholas explores the outer edges of obsession in this deliciously fruity comedy. The syncopated medley of music, strange noises and varied eccentrics doing their special thing shares similarities with a fondly-recalled scene in cult film Delicatessen; though Delicatessen was yet to emerge when this short film first debuted. Rushes played in multiple festivals, including the prestigious Clermont-Ferrand. The soundtrack is by ex Techtones guitarist Steve Roach. Director Nicholas followed this with another oddball romp: his feature debut User Friendly.