Musician Petunia (Jennifer Ludlam) and daughters Polly and Patch are tiring of their lives as land yachting "gypsies of the motorway" in the first episode of this hyperactive children's fantasy drama written by Margaret Mahy. Their salvation could be a magic house owned by Crocodile Crosby — a used car dealer with ambitions to be a pirate — but a devious land agent (Michael Wilson) and a dastardly wealthy couple stand in the way. All powerful narrator Paul Holmes orchestrates the action which features extensive use of music and period video special effects.
Award-winning reality show One Land sees families living without power or running water, 1850s style. In this first episode, two Māori familes arrive by waka at their new home: a purpose-built marae with a garden, on a hill above the Firth of Thames. The larger family speak only te reo; the other identifies as European. Recreating the changes which transformed Aotearoa, a Pākehā family arrive, then head on foot towards their promised parcel of land. If they're to get through this "social and cultural experiment" without starving, they will need to trade with their neighbours.
Petunia and her daughters Patch and Polly have moved into their decidedly unconventional dream house in the second episode of this surreal children's fantasy drama written by Margaret Mahy and directed by Yvonne McKay. Their idyllic new life of music making is soon shattered by their home handyman neighbour from hell Branchy (Grant Tilly). But he has problems of his own with the unwelcome arrival of his three long lost, grasping and perpetually hungry sons. Special guest Jon Gadsby contributes an energetic performance as pie magnate Chicken Licken.
Land of Birds was a series of 10 films looking at Aotearoa’s manu or native birds. Produced by the National Film Unit, the series was written, directed and largely photographed by Grant Foster. It was New Zealand’s first natural history film series, showing on NZ TV and internationally. The first instalment — Bird of a Single Flight (presented by Dr Robert Falla, on the kōtuku colony at Ōkārito) — won a 1973 Feltex Award for Best Natural History Programme. Other topics included Royal Albatross (toroa), and The Honeyeaters (tui, bellbird/korimako, stichbird/hihi).
This documentary looks at Māori painter/sculptor Darcy Nicholas. Nicholas grew up in the Taranaki, among extended whanau. “We didn’t have much money, but we had a lot of aroha and a lot of land to play in”. It looks at Nicholas’s relationship to his Māoritanga, and at how he took on the mantle of helping organise Toi Māori: The Eternal Flame - the first touring exhibition of Māori weaving. He and other participants recall their experiences of travelling to America, and weaving “a map of friendship” with native American tangata whenua.
“A film developed from the imagination of New Zealand children” is how director Tony Williams describes this remarkable, sprawling mix of drama and documentary. It features a fictitious teacher (writer Michael Heath) working with a class of 11-year-olds from Petone to explore what freedom means to them. At times their notions might seem naive but the film remains firmly non-judgmental. The free-wheeling approach, most memorable in the Paekakariki beach fantasy scenes, makes for a “wonderfully idiosyncratic” (film historian Roger Horrocks) hymn to juvenile freedom.
In 1885 the NZ Government used legislation to take ownership of sections of Bastion Point (Takaparawhau) for defence purposes. This ancestral Māori land belonging to Ngāti Whātua was never returned, and in 1976 Crown announced plans to sell off land for housing. Joe Hawke led a group of peaceful protesters which occupied the land for 507 days, until they were forcibly removed by 700+ police and soldiers. This documentary, which screened as part of the Perspective current affairs series, examines some of the issues behind the protest that polarised a nation.
The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".
Presented by Kenneth Cumberland, Landmarks looked at New Zealand history through the landscape — and at man "coming to terms" with it. In this episode Aotearoa's "last, lonely, remote" geography is framed as a stimulus for ingenuity. A narrative of "triumph over the elements" finds its flagbearer in the DIY story of jetboat inventor Bill Hamilton. Cumberland is donnish but game in pursuit of telling landmarks: exposing seashells alongside the Napier-Taupō highway (700 metres above sea level) like a downunder Darwin, or in a gas mask on an erupting White Island.
Action movie The Dead Lands joins the short list of screen tales set in Aotearoa, before the pākehā. James Rolleston (star of Boy) plays Hongi, the son of a Māori chief. After the massacre of his tribe, Hongi sets out into the forbidden Dead Lands, hoping to enlist the help of a legendary warrior (Lawrence Makoare). The Anglo-Kiwi co-production marked new screen territory for director Toa Fraser (No. 2) and writer Glenn Standring (fantasy Perfect Creature). After debuting at the 2014 Toronto Film Festival, The Dead Lands topped the Kiwi box office and won three Moa awards.