Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
It's the first semi-final in the first series of this stand-up comedy talent quest presented by Jeremy and Nigel Corbett (who assert their edgy, early 90s credentials with a running gag about Nirvana). Judges Ian Harcourt, Theresa Healey and Strawpeople's Mark Tierney preside over a line-up comprising a very composed Michele A'Court, mildcore rappers Hip Hips, The Back Garden, Jo Randerson (in angry-ish feminist mode), a particularly hirsute Jon Bridges and eventual winner Late Night Mike (with Harcourt generating as many laughs as the contestants).
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
One of NZ TV's first forays into stand-up comedy, this talent quest based show ran for two series (the second as A Bit More after Ten). It was hosted by Jeremy Corbett and his brother Nigel (in his TV debut), with Ian Harcourt (ex-Funny Business) as a resident judge (aided by two celebrities each week). Home viewers also voted, helping propel eventual winner Late Night Mike into the first final. Michele A'Court, Te Radar, Jon Bridges, Dean Butler and Andrew Clay graced its set and later graduated to its stand-up successor, the long running Pulp Comedy.
First Hand was a series of mid 1990s documentaries made for TVNZ. Newbie filmmakers were armed with consumer cameras, aiming to capture “natural human behaviour” with the new technology and minimal crew. This edition, directed by David Ambler, profiles 23-year-old Newstalk ZB late-night talkback host Mike Yardley, and introduces regular callers from his nationwide audience of 150,000: service station worker Lucas channels Oprah, Petone radio poet George rhymes about detached organs, and Merle dances to an organist. Radio veteran Marcus Lush narrates.
Two long versions and a short version of the titles for the late night rock show; and a first attempt at animation for Avalon graphic designer Mike Peebles who was just out of art school. Sensibility is horror meets underground comics with a touch of Monty Python - but Peebles was anxious to avoid existing imagery (excepting the Rolling Stones mouth for the "wah-wah" voice). The first features a voice somewhere between Vincent Price and Isaac Hayes, ending with the invocation "and buckets of blood, baby". The end of the second is more matter of fact.
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
Aussie import Alison Mau has been a regular on New Zealand television for more than 20 years, across news, current affairs, and lifestyle programmes. After first crossing the ditch she appeared as host of business show Made in New Zealand, before moving to late night news shows Eyewitness and Newsnight. Mau was a presenter on Breakfast, and part of the original team on TVNZ’s primetime show Seven Sharp.
In the tradition of novelty songs, ‘Culture?’ was catchy to the point of contagion. Fuelled by carnival keyboards, it was The Knobz response to Prime Minister Rob Muldoon’s refusal to lift a 40% sales tax on recorded music (originally instituted by Labour in 1975), and Muldoon's typically blunt verdict on the cultural merits of pop music (“horrible”). The giddy, hyperactive video comes complete with Muldoon impersonator (Danny Faye), and casts the band as the song’s 'Beehive Boys'. In the backgrounder, Mike Alexander writes about his time as the band's manager.
After studies in politics and a stint on England's Daily Express, broadcaster Kate Hawkesby’s screen career began in 1995, with an internship at TVNZ. Over the next decade she reported from Bougainville to the Oscars red carpet. She presented for news bulletin Midday and became the youngest newsreader on the 6pm edition of One News — she was a regular fill-in presenter. In 2002 she hosted Breakfast (with future partner Mike Hosking) and from 2004 fronted late night slot Tonight until 2006, when she went on maternity leave. These days concentrating on parenting, Hawkesby pens a column for Woman's Day.