Director Grant Lahood is a master of the quirky comedic short film - the creative force behind internationally-successful shorts Snail's Pace, The Singing Trophy, and Lemming Aid. Lahood has also directed the feature films Kombi Nation and Chicken, and a number of documentaries including Arc, Anzac Songs, and Intersexion.
This morbidly funny short, made by students of Auckland's Media Design School, depicts the demise of 26 alphabetical and animated animals at the hands of nature’s greatest enemy — the human. Framed as a father possum (Phil Greeves) reading his children their favourite bedtime story, the alliterative animal deaths are undercut with cheerful giggling from the two young possums. The film won acclaim at festivals worldwide —screening at South by Southwest in 2016, and taking out Best Animated film in the Comic-Con Film Festival later that year.
Wilbur Force was once a warrior in the world of NZ pro wrestling, but he has fallen on hard times and is back in his hometown, living on the dole and mattress rather than on the mat. This edition in the second season of Loading Docs short films sees director J Ollie Lucks chronicling his ex-university classmate (real name William McDougall) battling the demons that have kept him from the ring. But McDougall soon questions his director’s motivation. Wilbur Force was selected for the 2015 NZ International Film Festival. A feature film inspired by the wrestler was released in 2017.
Veteran producer John Keir has had a long career producing both documentaries and films. He has collaborated on several film projects with director Grant Lahood, including Lemming Aid and Chicken. Keir has also produced large live TV events such as the Sir Edmund Hillary special On Top of the World and Anzac Day coverage for Māori Television.
Why did the snail cross the road? The debut short from Grant (Singing Trophy, Lemming Aid) Lahood provides the answer in a four minute time-lapse adventure. With the world whizzing by at 'snail’s pace' (filmed from the snail's temporal — and aural — point of view), the mollusc on a mission faces skaters, high heels and cars in its epic quest for an iceberg lettuce (displayed outside Patel's Dairy in the Wellington suburb of Berhampore). Snail's Pace gained festival screenings and TV sales around the world, and launched Lahood from camerawork into directing.
The 1994 Cannes Film Festival turned out to be a very good year for New Zealand: a little movie called Once Were Warriors began its rise to glory, and some even smaller films did big things. Frontline reporter Ross Stevens was in France to capture the action — from impressed reactions to Warriors, to the 'film is a business' talk of NZ Film Commission chair Phil Pryke. Director Grant Lahood's short film Lemming Aid comes second in the official competition, and the festival screens a special season of Kiwi shorts — only the second such event in Cannes history.
A hunter heads home, to add his latest catch to an extensive wall of animal trophies. Then he sets about making some music. But things do not go to plan: with a mouse loose in the building, the chase is on. The third film by Kiwi king of the kooky, director Grant Lahood was nominated for Best Short Film at the Cannes Film Festival, and took away a special technical award. It was also judged best short film at the 1993 NZ Film and Television Awards. The Singing Trophy was filmed at Kahutara Taxidermy museum in the Wairarapa.
Icon in B Minor: a musical odyssey is the tale of two creative souls from different centuries with the same belief in spiritual transformation through their art. World-renowned New Zealand concert pianist Michael Houstoun is filmed on his pilgrimage to Germany, where composer Franz Liszt spent his last years. Houstoun is preparing for his performance of Liszt's monumental work, Sonata in B Minor. Produced and directed by Tainui Stephens, Icon in B Minor screened as part of the Work of Art series.
Grant Lahood made his name with a trio of short films featuring speedy snails, troublesome mice and squabbling animal activists. After taking The Singing Trophy and Lemming Aid to success at the Cannes Film Festival, Lahood has gone on to direct documentaries, commercials and two feature films — one of which (Kombi Nation) features an all human cast.
John Keir began his career as a TV reporter, and from the late 70s on was producing and directing an extended slate of documentaries. His CV includes docos about air crashes (Flight 901: The Erebus Disaster), war (Our Oldest Soldier), gender (Intersexion) crime (First Time in Prison) and the Treaty (Lost in Translation). His many collaborations with director Grant Lahood include two short films that won acclaim at Cannes.